ISBN: 9780876750131 - the illustrator's notebook (6 Ergebnisse)
- Hardcover
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Anbieter: Better World Books, Mishawaka, IN, USABetter World Books
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Zustand: Good. 1st. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
- Hardcover
Kaufen Sie 3 Artikel, und erhalten Sie 15 % Rabattvon diesem VerkäuferAnbieter: ThriftBooks-Atlanta, AUSTELL, GA, USAThriftBooks-Atlanta
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Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
- Hardcover
Anbieter: Visible Voice Books, Cleveland, OH, USAVisible Voice Books
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hardcover. Zustand: Very Good. Horn Book Boston, MA 1978.
- Hardcover
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Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes KönigreichBetter World Books Ltd
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Zustand: Very Good. 1st. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
- Hardcover
Anbieter: Besleys Books PBFA, Diss, Vereinigtes KönigreichBesleys Books PBFA
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Hard Cover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Hardback with protected dust-wrapper. 153pp. Frontis. Illus. Top edge foxed. A little wear to d/w. A pleasing copy. (a13).
Weitere Bilder- Hardcover
Anbieter: West Cove UK, Wellington, Vereinigtes KönigreichWest Cove UK
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Hardcover. Zustand: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Images are beautiful bright and vivid. No notes or highlighting. See images. Fantastic book. About the book >.>.> Artists discuss their philosophy and stan- dards of illustration, the history of illustra- tion, its place in the arts, its place as a means of communication today, and their own ex- periences with various illustration tech- niques such as collage, lithography, woodcut, scratchboard, cardboard cuts, crowquill pen, and several ways of prepar- ing color illustration by preseparated art. In its exploration of the illustrator's con- cerns, this volume is multi-purpose. It is intended for artists who need knowledge of the development and history of illustration, particularly in the children's book field; for those with fine arts training who need to discover the scope of technical or commer- cial illustration problems; for those with technical or commercial training who need to respond to a fine arts approach; and for authors, teachers, students, and librarians who are interested in children's book illus- tration in general. As the title implies, the form is that of notes.…
