9780875802664 - the enemy on trial: early soviet courts on stage and screen (niu slavic, east european, and eurasian studies) von cassiday, julie a. (6 Ergebnisse)
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Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:978087…5802664.
- Hardcover
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
- Hardcover
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Zustand: New. Attempting to indoctrinate the public into a new society, the Bolsheviks staged "show trials" - legal trials that incorporated theatrical elements. This work examines how elements of theatre and film were incorporated into Soviet courtrooms, turning public trials into propaganda vehicles. Num Pages: 250 pages, Illu…strations, ports. BIC Classification: 1DVU; 3JJ; AN; APF; HBJD; HBLW; JPVN; JPVR; LNAA; LNF. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 230 x 160 x 24. Weight in Grams: 590. . 2000. Hardcover. . . . . Books ship from the US and Ireland.
- Hardcover
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Hardcover. Zustand: Brand New. 1st edition. 270 pages. 9.25x6.25x1.00 inches. In Stock.
- Hardcover
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Zustand: New. Attempting to indoctrinate the public into a new society, the Bolsheviks staged show trials - legal trials that incorporated theatrical elements. This work examines how elements of theatre and film were incorporated into Soviet courtrooms, turning public .
- Hardcover
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Buch. Zustand: Neu. Neuware - Attempting to indoctrinate the public into a new society, the Bolsheviks staged show trials--legal trials that incorporated theatrical elements such as coached defendants, memorized scripts for confession, and grueling interrogatory rehearsals. The genre of legal spectacle, whose origins lay in Sovi…et theater and cinema of the 1920s, moved from mass public spectacles to the courtroom, as the Bolsheviks sought to effect ever- greater social change. In this intriguing interdisciplinary study, literature scholar Cassiday shows how Soviet show trials deliberately used avant-garde drama and cinema to educate the citizenry about the new social order. She examines how elements of theater and film were incorporated into Soviet courtrooms, turning public trials into vehicles for propaganda. Drawing on a variety of popular media from the 1920s, she reveals the origins of the show trials.
