Isbn: 9780870708947 - rauschenberg: canyon (one on one) (12 Ergebnisse)

Paperback. Zustand: Very Good. In the mid-1950s, declaring "there is no reason not to consider the world as a gigantic painting," Robert Rauschenberg began a series of radical experiments with what he called "Combines," a term he coined to describe works that fused cast-off items like quilts or rubber tires with traditional supports. "Canyon" (1959), one of the artist's best-known Combines, is a large canvas affixed with paper, fabric, metal, personal photographs, wood, mirrors and one very striking object: a large stuffed bald eagle, wings outstretched, carrying a drooping pillow, and balanced upon a wooden plank jutting out from the canvas. "Canyon" is one of six Combines in MoMA's collection, and a landmark work that helped to revolutionize art in the postwar period. An essay by curator Leah Dickerman explores the legacy of this extraordinary piece, and places it within a key period in Rauschenberg's career.…

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Zustand: Very Good.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Brand New. 48 pages. 9.02x7.28x0.20 inches. In Stock.

Zustand: New. In English.

Zustand: New. pp. 48.

Zustand: New. Series: MOMA One on One Series. Num Pages: 48 pages, 35 colour illustrations. BIC Classification: ACXD; AGB. Category: (G) General (US: Trade). Dimension: 230 x 184 x 6. Weight in Grams: 202. . 2014. Paperback. . . . . Books ship from the US and Ireland.

Taschenbuch. Zustand: Neu. Neuware - In the mid-1950s, declaring 'there is no reason not to consider the world as a gigantic painting,' Robert Rauschenberg began a series of radical experiments with what he called 'Combines,' a term he coined to describe works that fused cast-off items like quilts or rubber tires with traditional supports. 'Canyon' (1959), one of the artist's best-known Combines, is a large canvas affixed with paper, fabric, metal, personal photographs, wood, mirrors and one very striking object: a large stuffed bald eagle, wings outstretched, carrying a drooping pillow, and balanced upon a wooden plank jutting out from the canvas. 'Canyon' is one of six Combines in MoMA's collection, and a landmark work that helped to revolutionize art in the postwar period. An essay by curator Leah Dickerman explores the legacy of this extraordinary piece, and places it within a key period in Rauschenberg's career.…

Erste Auflage. 23 x 19 cm. 47 S. OKarton mit illustriertem OKlappenumschlag. Winziges Eselsohr letzte Seite oben, sonst sehr gutes Exemplar. 1 on one. Durchgehend mit meist farbigen Abbildungen versehen. Illustrierte Bildanalyse der Arbeit "Canyon" (1959) von Rauschenberg aus der Sammlung des MoMA in New York.…

Zustand: New.