Isbn: 9780870499678 - the new negroes and their music: the success of the harlem renaissance (4 Ergebnisse)

Sprache: Englisch
Verlag: Longleaf Services on Behalf of U of Tennessee Pres, 1997
- Softcover
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes KönigreichPBShop.store UK
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 32,06
EUR 4,85 VersandVersand von Vereinigtes Königreich nach USAAnzahl: Mehr als 20 verfügbar
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

- Softcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 37,42
EUR 14,58 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 2 verfügbar
Paperback. Zustand: Brand New. 171 pages. 9.25x6.25x0.75 inches. In Stock.

- Softcover
Anbieter: moluna, Greven, Deutschlandmoluna
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 31,49
EUR 48,99 VersandVersand von Deutschland nach USAAnzahl: Mehr als 20 verfügbar
Zustand: New. KlappentextrnrnBoldy conceived and compellingly argued, this revisionist work offers a new interpretation of the Harlem Renaissance by focusing on its music. Jon Michael Spencer challenges the emphasis of earlier historical studies - which have .

Sprache: Englisch
Verlag: Longleaf Services On Behalf Of U Of Tennessee Pres Feb 1997, 1997
- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 57,35
EUR 30,50 VersandVersand von Deutschland nach USAAnzahl: 2 verfügbar
Taschenbuch. Zustand: Neu. Neuware - Boldly conceived and compellingly argued, this revisionist work offers a new interpretation of the Harlem Renaissance by focusing on its music. Jon Michael Spencer challenges the emphasis of earlier studies--which tended to bypass music in favor of literature--as well as their general conclusion that the Renaissance was a failure because it offered an inadequate solution to the old problem of racism. Spencer's discussion encompasses the music and writings of a wide range of important figures, including William Grant Still, James Weldon Johnson, Roland Hayes, Alain Locke, and R. Nathaniel Dett. He argues that the singular accomplishment of the Harlem Renaissance composers and musicians was to achieve a 'two-tiered mastery' their work drew on the 'mood and spirit' of African American folk music while mastering the forms and techniques of the European classical tradition. Spencer also contends that the Harlem Renaissance extended for three decades beyond the 1920s. He thus contests assertions that the arrival of the Great Depression effectively ended the Renaissance, as issues of economic survival subsumed artistic aspirations. In positing a much longer period for the Renaissance and offering evidence for it, Spencer argues that this flowering of African American creative endeavor constitutes a major cultural legacy that can only be described as a resounding success.…