Sprache: Englisch
Verlag: Institute of Germanic and Romance Studies, School, 2012
ISBN 10: 0854572287 ISBN 13: 9780854572281
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Paperback. Zustand: Very Good. First Edition. First Edition, First Printing. Published by the Institute of Germanic and Romance Studies, School of Advanced Studies, University of London, 2012. Octavo. Paperback. Book is very good with previous writing and underlining on half-title page and through page 45, and stain on bottom right corner of page ends. Volume 3 only. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.
Sprache: Englisch
Verlag: University of London Press, 2012
ISBN 10: 0854572287 ISBN 13: 9780854572281
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Sprache: Englisch
Verlag: University of London Press, 2012
ISBN 10: 0854572287 ISBN 13: 9780854572281
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: University of London Press, 2012
ISBN 10: 0854572287 ISBN 13: 9780854572281
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paperback. Zustand: New. 2025 sept.
Sprache: Englisch
Verlag: University of London Press, 2012
ISBN 10: 0854572287 ISBN 13: 9780854572281
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Sprache: Englisch
Verlag: Institute of Modern Languages Research, 2012
ISBN 10: 0854572287 ISBN 13: 9780854572281
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Sprache: Englisch
Verlag: University Of London Press Jun 2012, 2012
ISBN 10: 0854572287 ISBN 13: 9780854572281
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Taschenbuch. Zustand: Neu. Neuware - The legacy of Italy's experience of political violence and terrorism in the anni di piombo ('years of lead', c. 1969-83) continues to exercise the Italian imagination to an extraordinary degree. Cinema has played a particularly prominent role in articulating the ongoing impact of the anni di piombo and in defining the ways in which Italians remember and work through the atrocities and traumas of those years. Terrorism, Italian Style brings together some of the most important scholars contributing to the study of cinematic representations of the anni di piombo. Drawing on a comparative approach and a broad range of critical perspectives (including genre theory, family and gender issues, trauma theory and ethics), the book addresses an extensive range of films produced between the 1970s and the present and articulates their significance and relevance to contemporary Italian society and culture.