Sprache: Englisch
Verlag: Liverpool University Press, 2002
ISBN 10: 0853238677 ISBN 13: 9780853238676
Anbieter: ThriftBooks-Phoenix, Phoenix, AZ, USA
Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Liverpool University Press, 2002
ISBN 10: 0853238677 ISBN 13: 9780853238676
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Liverpool University Press, 2002
ISBN 10: 0853238677 ISBN 13: 9780853238676
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Paperback. Zustand: Used-Very Good. Pbk. Some shelf-wear. Else clean copy.
Sprache: Englisch
Verlag: Liverpool University Press, 2002
ISBN 10: 0853238677 ISBN 13: 9780853238676
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 2002. paperback. . . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Liverpool University Press, United Kingdom, Liverpool, 2002
ISBN 10: 0853238677 ISBN 13: 9780853238676
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
EUR 25,49
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Very Good. This collection of essays celebrates the work of the French Nobel prize-winning novelist Claude Simon. Scholars from France, Germany, the United States and the United Kingdom reconsider the fifty years of Simons fiction in the light of his large-scale autobiographical novel Le Jardin des Plantes (1997). From a variety of perspectives postmodernist, psychoanalytic, aesthetic contributors reflect on the central paradox of Simons work: his writing and rewriting of an experience of war so disruptive and traumatic that words can never be adequate to communicate it. The layers of artifice in Le Jardin des Plantes and the nature of Simons aesthetic are analysed in essays which explore intertextual resonances between Simon and Proust, Flaubert, Borges and Poussin. A complementary view of Simons Photographies 19371970 shows that it too can be seen as form of indirect autobiography. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.