Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Square quarto, hardcover, Text by Dieter Ronte, Ronald A. Kuchta, Rafael Squirru, Curt Heigl. Includes both b/w and color plates, some folding. Book and dust jacket are in fine condition. 040407A.
Hardcover. Zustand: Good. Zustand des Schutzumschlags: Fair. Ex-Library copy with typical library marks and stamps. Dust jacket in acceptable condition. Shelf and handling wear to cover and binding, with general signs of previous use. Moderate loosening to binding. Secure packaging for safe delivery.
Anbieter: MW Books, New York, NY, USA
Erstausgabe
First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. ; 174 pages; Description: 174 p. : ill. (some col. ) ; 28 cm. Subjects: Batuz, (1933-) --Exhibitions -- Art. Exhibition dates: Everson Museum of Art, Syracuse and Onondaga County, New York, May 15-June 14, 1981. "Since the early 1950s, Batuz has produced a body of work, moving from naturalism into abstraction, which gives universally understandable meaning to abstract forms. This book presents the most recent phase of Batuz' passionate commitment to uncompromisingly ontological art, and art that, in the artist words, 'goes from life to being'." --dw. 2 Kg. Item is Shipped from Ireland or US locations.
Anbieter: MW Books, New York, NY, USA
Erstausgabe
First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. ; 174 pages; Description: 174 p. : ill. (some col. ) ; 28 cm. Subjects: Batuz, 1933- --Exhibitions. Notes: "Exhibition dates, Everson Museum of Art, Syracuse and Onondaga County, New York, May 15-June 14, 1981 . [et al. ]"--p. [15]. 2 Kg. Item is Shipped from Ireland or US locations.
Zustand: Good. New York: Rizzoli, 1981. 4to hardcover. 174pp. Illustrations. Good book. Very Good dust jacket. In protective mylar cover. (Modern Art, Exhibition Catalogs) Inquire if you need further information. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.
Erstausgabe Signiert
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: very good +. First edition. 11 x 11 in. Cloth boards. Signed by Batuz with an inscription to Fanny and Bernard Guerlain, dated 1981, on the ffep. Condition is NEAR FINE ; no wear, very clean. Binding tight, minor foxing to endpapers. DJ is VERY GOOD+ ; very clean, a little rubed. Art. Stax.
origi.Leinenband mit Schutzumschlag, 4°, 174 Seiten. Schutzumschlag leicht bestossen sonst guter Zustand.
Leinen Leinen. Zustand: Sehr gut. Mit zahlreichen Abbildungen, 174 Seiten, Zust: Gutes Exemplar. Mit original Schutzumschlag. Schneller Versand und persönlicher Service - jedes Buch händisch geprüft und beschrieben - aus unserem Familienbetrieb seit über 25 Jahren. Eine Rechnung mit ausgewiesener Mehrwertsteuer liegt jeder unserer Lieferungen bei. Wir versenden mit der deutschen Post. Sprache: Englisch Gewicht in Gramm: 1860.
Sprache: Englisch
Verlag: N.Y., Rizzoli Internat.Publ., INC., 1981., 1981
ISBN 10: 0847803864 ISBN 13: 9780847803866
Anbieter: Antiquariat Hans Hammerstein OHG, München, Deutschland
origi. Leinenband mit Schutzumschlag, 4°, 174 Seiten. Mit einer Widmung des Künstlers auf dem Vorsatz. Guter Zustand.
Zustand: Sehr gut. 174 S. Ein gutes und sauberes Exemplar. - Since the early 1950s, Batuz has produced a body of work, moving from naturalism to abstraction, which gives universally understandable meaning to abstract forms. Rejecting the purely formal and materialistic aims of most abstract artists in this century, he returns to Kandinsky and other pioneers of the modern movement in his concern for the spiritual in art. This book presents the most recent phase of Batuz' passionate commitment to an uncompromisingly ontological art, an art that, in the artists words, "goes from life to being." The works in paper, begun in early 1979, represent not only an innovation in the use of paper pulp and other natural materials as a painterly medium, but also a new and profound apprehension of human existence as the fundamental issue of art. Born in Hungary, Batuz was forced from his native country by the horrors of World War II and spent several years in refugee camps. After emigrating with his family to Argentina in 1949, the self-taught painter devoted himself to art and the study of philosophy. His home and studio at Villa Gesell, where he worked in isolation for several years, evertically became a vital focus of artistic and intellectual activity in Argentina. Settling in the United States in 1973 instigated a new stage in his development, a more intense and open realization of the possibilities of abstract art that has brought him worldwide attention. ISBN 0847803864 Sprache: Deutsch Gewicht in Gramm: 1550 Mit zahlr. auch farb. Abb. Originalleinen mit Schutzumschlag.
Verlag: New York, Rizzoli International Publications., 1981
ISBN 10: 0847803864 ISBN 13: 9780847803866
Anbieter: Antiquariat Lehmann-Dronke, Euskirchen, Deutschland
Verbandsmitglied: BOEV
Zustand: gut. 4°. 175 S. m. Illustr. Ln. Schutzumschl. [ *** Mit Beiträgen (englisch) von Dieter Ronte, Ronald A. Kuchta, Rafael Squirru und Curt Heig *** ] >>>> Zur Zeit erfolgt KEIN VERSAND NACH ÖSTERREICH aufgrund der dort geltenden Verpackungsverordnung. <<<<.
Zustand: Sehr gut. 174 S., sehr zahlr. Abb. Ein sehr gutes Exemplar. - englisch. - Since the early 1950s, Batuz has produced a body of work, moving from naturalism to abstraction, which gives universally understandable meaning to abstract forms. Rejecting the purely formal and materialistic aims of most abstract artists in this century, he returns to Kandinsky and other pioneers of the modern movement in his concern for the spiritual in art. This book presents the most recent phase of Batuz' passionate commitment to an uncompromisingly ontological art, an art that, in the artist's words, "goes from life to being." The works in paper, begun in early 1979, represent not only an innovation in the use of paper pulp and other natural materials as a painterly medium, but also a new and profound apprehension of human existence as the fundamental issue of art. Born in Hungary, Batuz was forced from his native country by the horrors of World War II and spent several years in refugee camps. After emigrating with his family to Argentina in 1949, the self-taught painter devoted himself to art and the study of philosophy. His home and studio at Villa Gesell, where he worked in isolation for several years, eventually became a vital focus of artistic and intellectual activity in Argentina. Settling in the United States in 1973 instigated a new stage in his development, a more intense and open realization of the possibilities of abstract art that has brought him worldwide attention. (Klappentext) ISBN 0847803864 Sprache: Deutsch Gewicht in Gramm: 1550 Originalleinen mit Schutzumschlag.