9780847801893 - the birth of modern painting / text by gaetan picon - [uniform title: 1863, naissance de la peinture moderne. english] von picon, gaetan (3 Ergebnisse)
Sprache: Englisch
Verlag: Rizzoli International Publications, Incorporated, 1979
- Hardcover
Anbieter: Better World Books, Mishawaka, IN, USABetter World Books
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Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
- Hardcover
Anbieter: Wonder Book, Frederick, MD, USAWonder Book
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Zustand: Good. Good condition. Good dust jacket. (French Art, Painting) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Weitere Bilder- Hardcover
Anbieter: West Cove UK, Wellington, Vereinigtes KönigreichWest Cove UK
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Hardcover. Zustand: Very Good. Immediate dispatch from Somerset. Nice book in good condition. Pages in great condition. Plates bright and vivid. Some light aging, wear and marking. Hardcover. English. Pub Year 1978, See images for condition. About the book >.>.> The Birth of Modern Painting by Gaetan Picon examines the pivotal m…oment in art history marked by the opening of the Salon des Refusés in Paris in May 1863. This exhibition showcased artists who had been rejected from the official Salon, including notable figures such as Manet, Boudin, Fantin-Latour, Jongkind, Pissarro, Whistler, and Cézanne. This gathering of Rejected painters heralded the onset of a new era?Impressionism?and, subsequently, the evolution of modern art as we understand it today.Picon articulates how the Salon des Refusés symbolised a significant departure from traditional artistic conventions. It highlighted the ongoing struggle between established artistic norms and the burgeoning desire for innovation in art. Manet emerges as a leading figure in this transformative movement, embodying a style that prioritises observation over imagination. His approach, encapsulated by Gauguin's assertion that Painting begins with Manet, signifies a break from the past and a commitment to a new artistic vision grounded in reality.In his exploration, Picon situates the 1863 exhibition within the broader context of the Parisian art scene of the mid to late 19th century. By doing so, he illustrates the exhibition's innovative nature and its considerable impact on the trajectory of modern art. The book serves as a comprehensive analysis of this crucial period, shedding light on the artistic revolutions that not only transformed the landscape of painting but also established the foundation for contemporary artistic practices. (MP).
