ISBN: 9780826416612 - born in the u.s.a.: 33 1/3 (22 Ergebnisse)

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Paperback. Zustand: Very Good. Bruce Springsteen goes back on the road in 1984. Weinberg hits his drums with a two-fisted physicality that cut through the swelling chords. Springsteen sings with the throat-scraping desperation of a man with his back against the wall. When he reaches the crucial lines, the guitars and bass dropped out and Weinberg switches to just the hi-hat.…

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Sprache: Englisch
Verlag: Continuum International Publishing Group, 2005
Serie: Buch 26 von 192 - 33 1/3
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Zustand: New. Bruce Springsteen goes back on the road in 1984. Weinberg hits his drums with a two-fisted physicality that cut through the swelling chords. Springsteen sings with the throat-scraping desperation of a man with his back against the wall. When he reaches the crucial lines, the guitars and bass dropped out and Weinberg switches to just the hi-hat. Series: 33 1/3. Num Pages: 144 pages. BIC Classification: AVGP. Category: (G) General (US: Trade). Dimension: 166 x 122 x 10. Weight in Grams: 144. Series: 33 1/3. 144 pages. Bruce Springsteen goes back on the road in 1984. Weinberg hits his drums with a two-fisted physicality that cut through the swelling chords. Springsteen sings with the throat-scraping desperation of a man with his back against the wall. When he reaches the crucial lines, the guitars and bass dropped out and Weinberg switches to just the hi-hat. Cateogry: (G) General (US: Trade). BIC Classification: AVGP. Dimension: 166 x 122 x 10. Weight: 144. . 2005. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.…

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Zustand: New. In English.

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Paperback. Zustand: Brand New. 1st edition. 150 pages. 6.50x4.75x0.50 inches. In Stock.

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Taschenbuch. Zustand: Neu. Neuware - When Bruce Springsteen went back on the road in 1984, he opened every show by shouting out, 'one, two, one, two, three, four,' followed by the droning synth chords of 'Born in the U.S.A.' Max Weinberg hit his drums with a two-fisted physicality that cut through the swelling chords. With a rolled-up red kerchief around his head and heavy black boots under his faded jeans, Springsteen looked like the character of the song, and from the very first line ('Born down in a dead man's town') he sang with the throat-scraping desperation of a man with his back against the wall.When he reached the crucial lines, though, the guitars and bass dropped out and Weinberg switched to just the hi-hat. Springsteen's voice grew a bit more private and reluctant as he sang, 'Nowhere to run. Nowhere to go.' It was as if he weren't sure if this were an admission of defeat or the drawing of a line in the sand. But when the band came crashing back at full strength-building a crescendo that fell apart in the cacophony of Springsteen's and Weinberg's wild soloing, paused and then came together again in the determined, marching riff-it was clear that the singer was ready to make a stand.…

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Paperback. Zustand: new. Paperback. When Bruce Springsteen went back on the road in 1984, he opened every show by shouting out, "one, two, one, two, three, four," followed by the droning synth chords of "Born in the U.S.A." Max Weinberg hit his drums with a two-fisted physicality that cut through the swelling chords. With a rolled-up red kerchief around his head and heavy black boots under his faded jeans, Springsteen looked like the character of the song, and from the very first line ("Born down in a dead man's town") he sang with the throat-scraping desperation of a man with his back against the wall.When he reached the crucial lines, though, the guitars and bass dropped out and Weinberg switched to just the hi-hat. Springsteen's voice grew a bit more private and reluctant as he sang, "Nowhere to run. Nowhere to go." It was as if he weren't sure if this were an admission of defeat or the drawing of a line in the sand. But when the band came crashing back at full strengthbuilding a crescendo that fell apart in the cacophony of Springsteen's and Weinberg's wild soloing, paused and then came together again in the determined, marching riffit was clear that the singer was ready to make a stand. Bruce Springsteen goes back on the road in 1984. Weinberg hits his drums with a two-fisted physicality that cut through the swelling chords. Springsteen sings with the throat-scraping desperation of a man with his back against the wall. When he reaches the crucial lines, the guitars and bass dropped out and Weinberg switches to just the hi-hat. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

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Zustand: New. Bruce Springsteen goes back on the road in 1984. Weinberg hits his drums with a two-fisted physicality that cut through the swelling chords. Springsteen sings with the throat-scraping desperation of a man with his back against the wall. When he reaches the .

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Taschenbuch. Zustand: Neu. Bruce Springsteen's Born in the USA | Geoffrey Himes | Taschenbuch | Kartoniert / Broschiert | Englisch | 2005 | Bloomsbury Academic | EAN 9780826416612 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu. …

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Paperback. Zustand: New. When Bruce Springsteen went back on the road in 1984, he opened every show by shouting out, "one, two, one, two, three, four," followed by the droning synth chords of "Born in the USA". Max Weinberg hit his drums with a two-fisted physicality that cut through the swelling chords. With a rolled-up red kerchief around his head and heavy black boots under his faded jeans, Springsteen looked like the character of the song, and from the very first line ("Born down in a dead man's town") he sang with the throat-scraping desperation of a man with his back against the wall. When he reached the crucial lines, though, the guitars and bass dropped out and Weinberg switched to just the hi-hat. Springsteen's voice grew a bit more private and reluctant as he sang, "Nowhere to run. Nowhere to go". It was as if he weren't sure if this were an admission of defeat or the drawing of a line in the sand. But when the band came crashing back at full strength - building a crescendo that fell apart in the cacophony of Springsteen's and Weinberg's wild soloing, paused and then came together again in the determined, marching riff - it was clear that the singer was ready to make a stand.…

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