Isbn: 9780822959939 - how the soviet man was unmade: cultural fantasy and male subjectivity under stalin (pitt series in russian and east european studies) (8 Ergebnisse)

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Zustand: New. pp. 256 18 Illus.

Zustand: New. Exposes the paradox behind the myth of the indestructible Stalinist-era male. This book examines the recurring theme of the mutilated male body, which appears with startling frequency. It also provides a reevaluation of classic works of the period, including the novels of Nikolai Ostrovskii and Boris Polevoi. Series: Pitt Series in Russian and East European Studies. Num Pages: 256 pages, 18 illustrations. BIC Classification: 1DVUA; 2AGR; APFA; DSBH; JFC. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 18. Weight in Grams: 386. . 2008. Paperback. . . . . Books ship from the US and Ireland.…

Paperback. Zustand: Brand New. 226 pages. 9.00x6.00x0.75 inches. In Stock.

Zustand: New. Exposes the paradox behind the myth of the indestructible Stalinist-era male. This book examines the recurring theme of the mutilated male body, which appears with startling frequency. It also provides a reevaluation of classic works of the period, includin.

Taschenbuch. Zustand: Neu. Neuware - In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of Communist ideology. But beneath the surface of this fantasy, between the lines of texts and in film, lurked another figure: the wounded body of the heroic invalid, the second version of Stalin's New Man. >Kaganovsky provides an insightful reevaluation of classic works of the period, including the novels of Nikolai Ostrovskii (How Steel Was Tempered) and Boris Polevoi (A Story About a Real Man), and films such as Ivan Pyr'ev's The Party Card, Eduard Pentslin's The Fighter Pilots, and Mikhail Chiaureli's The Fall of Berlin, among others. The symbolism of wounding and dismemberment in these works acts as a fissure in the facade of Stalinist cultural production through which we can view the consequences of historic and political trauma.…