ISBN: 9780822353713 - from a nation torn: decolonizing art and representation in france, 1945-1962 (objects/histories) (10 Ergebnisse)

Paperback. Zustand: New. New copy.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Zustand: Very Good. 2014; matte illustrated paper covers; wear around corners and edges; 4to,9 3/4" to 12" tall; interior is clean and unmarked; 317 pages; Additional shipping charges may need to be requested due to size or weight of book.

Zustand: New. Focusing on the Algerian War of Independence (1954-1962) and the historical continuities it presented with the experience of the Second World War, this book highlights decolonization's formative effects on art and related theories of representation, both political and aesthetic. Series: Objects/Histories. Num Pages: 336 pages, 84 illustrations (inclu. 21 in color). BIC Classification: 1DDF; 3JJP; ACX; HBJD; HBLW3. Category: (G) General (US: Trade). Dimension: 256 x 178 x 16. Weight in Grams: 722. . 2014. paperback. . . . . Books ship from the US and Ireland. …

Zustand: New. Focusing on the Algerian War of Independence (1954-1962) and the historical continuities it presented with the experience of the Second World War, this book highlights decolonization's formative effects on art and related theories of representation, both political and aesthetic. Series: Objects/Histories. Num Pages: 336 pages, 84 illustrations (inclu. 21 in color). BIC Classification: 1DDF; 3JJP; ACX; HBJD; HBLW3. Category: (G) General (US: Trade). Dimension: 256 x 178 x 16. Weight in Grams: 722. . 2014. paperback. . . . . …

Paperback. Zustand: New. From a Nation Torn provides a powerful critique of art history's understanding of French modernism and the historical circumstances that shaped its production and reception. Within art history, the aesthetic practices and theories that emerged in France from the late 1940s into the 1960s are demarcated as postwar. Yet it was during these very decades that France fought a protracted series of wars to maintain its far-flung colonial empire. Given that French modernism was created during, rather than after, war, Hannah Feldman argues that its interpretation must incorporate the tumultuous "decades of decolonization"and their profound influence on visual and public culture. Focusing on the Algerian War of Independence (1954-1962) and the historical continuities it presented with the experience of the Second World War, Feldman highlights decolonization's formative effects on art and related theories of representation, both political and aesthetic. Ultimately, From a Nation Torn constitutes a profound exploration of how certain populations and events are rendered invisible and their omission naturalized within histories of modernity.…

Zustand: as new. Durham ; London : Duke University Press, 2014. Paperback. Condition : as new copy. ISBN 9780822353713. Keywords : HISTORY.

Paperback. Zustand: Brand New. 317 pages. 10.00x7.00x0.75 inches. In Stock.

Paperback. Zustand: New. From a Nation Torn provides a powerful critique of art history's understanding of French modernism and the historical circumstances that shaped its production and reception. Within art history, the aesthetic practices and theories that emerged in France from the late 1940s into the 1960s are demarcated as postwar. Yet it was during these very decades that France fought a protracted series of wars to maintain its far-flung colonial empire. Given that French modernism was created during, rather than after, war, Hannah Feldman argues that its interpretation must incorporate the tumultuous "decades of decolonization"and their profound influence on visual and public culture. Focusing on the Algerian War of Independence (1954-1962) and the historical continuities it presented with the experience of the Second World War, Feldman highlights decolonization's formative effects on art and related theories of representation, both political and aesthetic. Ultimately, From a Nation Torn constitutes a profound exploration of how certain populations and events are rendered invisible and their omission naturalized within histories of modernity.…