9780822351627 - Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana von Feld, Steven (7 Ergebnisse)

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Zustand: Very Good. Light shelf wear to extremities.

Zustand: New. 2012. Paperback. Five Musical Years in Ghana. 328 pages, 78 illustrations. Looks at the vernacular cosmopolitanism of a group of jazz players in Ghana, who have traveled widely, played with American jazz greats, and blended Coltrane with local instruments and philosophy. This book describes their cosmopolitan outlook as an accoustemology, a way of knowing the world through sound. Cateogry: (P) Professional & Vocational. BIC Classification: 1HFDH; AVGJ. Dimension: 155 x 233 x 13. Weight: 528. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 311 pages. 9.00x6.00x0.75 inches. In Stock.

Kartoniert / Broschiert. Zustand: New. Looks at the vernacular cosmopolitanism of a group of jazz players in Ghana, who have traveled widely, played with American jazz greats, and blended Coltrane with local instruments and philosophy. This book describes their cosmopolitan outlook as an accoust.

Taschenbuch. Zustand: Neu. Neuware - In this remarkable book, Steven Feld, pioneer of the anthropology of sound, listens to the vernacular cosmopolitanism of jazz players in Ghana. Some have traveled widely, played with American jazz greats, and blended the innovations of John Coltrane with local instruments and worldviews. Combining memoir, biography, ethnography, and history, Feld conveys a diasporic intimacy and dialogue that contests American nationalist and Afrocentric narratives of jazz history. His stories of Accra's jazz cosmopolitanism feature Ghanaba/Guy Warren (19232008), the eccentric drummer who befriended the likes of Charlie Parker, Max Roach, and Thelonious Monk in the United States in the 1950s, only to return, embittered, to Ghana, where he became the country's leading experimentalist. Others whose stories figure prominently are Nii Noi Nortey, who fuses the legacies of the black avant-gardes of the 1960s and 1970s with pan-African philosophy in sculptural shrines to Coltrane and musical improvisations inspired by his work; the percussionist Nii Otoo Annan, a traditional master inspired by Coltrane's drummers Elvin Jones and Rashied Ali; and a union of Accra truck and minibus drivers whose squeeze-bulb honk-horn music for drivers' funerals recalls the jazz funerals of New Orleans. Feld describes these artists' cosmopolitan outlook as an 'acoustemology,' a way of knowing the world through sound.