Isbn: 9780822351566 - darger's resources (8 Ergebnisse)

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  • Sprache: Englisch

    Verlag: Duke University Press Books, 2012

    0822351560 / 9780822351566

    • Softcover

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    Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

  • Sprache: Englisch

    Verlag: Duke University Press Books, 2012

    0822351560 / 9780822351566

    • Softcover

    Anbieter: World of Books (was SecondSale), Montgomery, IL, USAWorld of Books (was SecondSale)

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    Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

  • Sprache: Englisch

    Verlag: Duke University Press, 2012

    0822351560 / 9780822351566

    • Softcover
    • Erstausgabe

    Anbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USAPowell's Bookstores Chicago, ABAA

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    Paperback. Zustand: Very Good. First Edition. Pap. Minor shelf wear. Else a bright, clean copy. Henry Darger (1892-1973) was a hospital janitor and an immensely productive artist and writer. In the first decades of adulthood, he wrote a 15,145-page fictional epic, In the Realms of the Unreal. He spent much of the rest of his long life illustrating it in astonishing drawings and watercolors. In Darger's unfolding saga, pastoral utopias are repeatedly savaged by extreme violence directed at children, particularly girls. Given his disturbing subject matter and the extreme solitude he maintained throughout his life, critics have characterized Darger as eccentric, deranged, and even dangerous, as an outsider artist compelled to create a fantasy universe. Contesting such pathologizing interpretations, Michael Moon looks to Darger's resources, to the narratives and materials that inspired him and often found their way into his writing, drawings, and paintings. Moon finds an artist who reveled in the burgeoning popular culture of the early twentieth century, in its newspaper comic strips, pulp fiction, illustrated children's books, and mass-produced religious art. Moon contends that Darger's work deserves and rewards comparison with that of contemporaries of his, such as the pulp historians H. P. Lovecraft and Robert Howard, the Oz chronicler L. Frank Baum, and the newspaper cartoonist Bud Fisher.

  • Sprache: Englisch

    Verlag: Duke University Press Books, 2012

    0822351560 / 9780822351566

    • Softcover
    • Erstausgabe

    Anbieter: Paradou Books, Richmond, VA, USAParadou Books

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    Zustand: Gebraucht - Sehr gut

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    Soft cover. Zustand: Fine. 1st Edition. Softcover, 151 pgs. Nearly new.

  • Sprache: Englisch

    Verlag: MD - Duke University Press, 2012

    0822351560 / 9780822351566

    • Softcover

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    PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

  • Sprache: Englisch

    Verlag: Duke Univ Pr, 2012

    0822351560 / 9780822351566

    • Softcover

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    Paperback. Zustand: Brand New. 168 pages. 9.50x6.25x0.50 inches. In Stock.

  • Sprache: Englisch

    Verlag: DUKE UNIV PR, 2012

    0822351560 / 9780822351566

    • Softcover

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    EUR 31,26

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    Zustand: New. Focuses on the artist Henry Darger, an eccentric and self-taught artist whose work was only discovered after his death. This title shows how Darger drew on novels, comics, pulps, and the history of his time to produce a sometimes disturbing and sometimes jo.

  • Sprache: Englisch

    Verlag: Duke University Press Mär 2012, 2012

    0822351560 / 9780822351566

    • Softcover

    Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH

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    Taschenbuch. Zustand: Neu. Neuware - Henry Darger (18921973) was a hospital janitor and an immensely productive artist and writer. In the first decades of adulthood, he wrote a 15,145-page fictional epic, In the Realms of the Unreal. He spent much of the rest of his long life illustrating it in astonishing drawings and watercolors. In Darger's unfolding saga, pastoral utopias are repeatedly savaged by extreme violence directed at children, particularly girls. Given his disturbing subject matter and the extreme solitude he maintained throughout his life, critics have characterized Darger as eccentric, deranged, and even dangerous, as an outsider artist compelled to create a fantasy universe. Contesting such pathologizing interpretations, Michael Moon looks to Darger's resources, to the narratives and materials that inspired him and often found their way into his writing, drawings, and paintings. Moon finds an artist who reveled in the burgeoning popular culture of the early twentieth century, in its newspaper comic strips, pulp fiction, illustrated children's books, and mass-produced religious art. Moon contends that Darger's work deserves and rewards comparison with that of contemporaries of his, such as the 'pulp historians' H. P. Lovecraft and Robert Howard, the Oz chronicler L. Frank Baum, and the newspaper cartoonist Bud Fisher.