9780822351085 - pop when the world falls apart: music in the shadow of doubt (7 Ergebnisse)
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Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
- Softcover
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
- Softcover
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Zustand: New. Organized around the idea of crisis and adversity, be it personal, social, or categorical, the contributors to Pop When the World Falls Apart showcase the range of ways that pop music studies has responded to the social, political, and cultural shifts that are reshaping the world today. Editor(s): Weisbard, Eric. N…um Pages: 336 pages, 18 illustrations. BIC Classification: AVGP; JFCA. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 231 x 155 x 20. Weight in Grams: 476. . 2012. Illustrated. paperback. . . . . Books ship from the US and Ireland.
- Softcover
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Paperback. Zustand: Brand New. 336 pages. 9.50x6.00x1.00 inches. In Stock.
- Softcover
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Zustand: New. Organized around the idea of crisis and adversity, be it personal, social, or categorical, the contributors to Pop When the World Falls Apart showcase the range of ways that pop music studies has responded to the social, political, and cultural shifts that .
- Softcover
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Taschenbuch. Zustand: Neu. Neuware - Hearing Elvis Presley, Bob Dylan once said, was "like busting out of jail." But what happens when popular music isn't as simple as rock-and-roll rebellion How does pop respond to such events as a decade-long war in Iraq and Hurricane Katrina In Pop When the World Falls Apart, a diverse array…of music writers, scholars, and enthusiasts reflect on popular music's role-as commentary, as refuge, and as rallying cry-in times of military conflict, social upheaval, and cultural crisis. Drawn from presentations at the annual Experience Music Project Pop Conference-hailed by Robert Christgau as "the best thing that's ever happened to serious consideration of pop music"-the essays in this book include inquiries into the sonic dimension of war in Iraq; the cultural life of jazz in post-Katrina New Orleans; Isaac Hayes's reappropriation of a country song, "By the Time I Get to Phoenix," as a symbol of black nationalism; and punk rock pranks played on record execs looking for the next big thing in central Virginia. Offering a diverse range of voices, perspectives, and approaches, this volume mirrors the eclecticism of pop itself.Contributors: Larry Blumenfeld , Austin Bunn, Nate Chinen, J. Martin Daughtry, Brian Goedde, Michelle Habell-PallÁn, Jonathan Lethem, Eric Lott, Kembrew McLeod, Elena Passarello, Diane Pecknold, David Ritz, Carlo Rotella, Scott Seward, Tom Smucker, Greg Tate, Karen Tongson, Alexandra T. Vazquez, Oliver Wang, Eric Weisbard, Carl Wilson.
