Sprache: Englisch
Verlag: Duke University Press Books, 2011
ISBN 10: 0822350092 ISBN 13: 9780822350095
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
EUR 22,70
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9780822350095.
Sprache: Englisch
Verlag: Duke University Press Books, 2011
ISBN 10: 0822350092 ISBN 13: 9780822350095
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
EUR 22,70
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9780822350095.
EUR 32,23
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
EUR 61,59
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 386 pages. 9.00x6.00x1.00 inches. In Stock.
EUR 48,83
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. By exploring the use of film in mid-twentieth-century institutions including libraries, classrooms, and professional organizations, film scholars show how moving images became an ordinary feature of American life.Über den Autor.
Sprache: Englisch
Verlag: Duke University Press Okt 2011, 2011
ISBN 10: 0822350092 ISBN 13: 9780822350095
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - By exploring the use of film in mid-twentieth-century institutions, including libraries, museums, classrooms, and professional organizations, the essays in Useful Cinema show how moving images became an ordinary feature of American life. In venues such as factories and community halls, people encountered industrial, educational, training, advertising, and other types of "useful cinema." Screening these films transformed unlikely spaces, conveyed ideas, and produced subjects in the service of public and private aims. Such functional motion pictures helped to shape common sense about cinema's place in contemporary life. Whether measured in terms of the number of films shown, the size of audiences, or the economic activity generated, the "non-theatrical sector" was a substantial and enduring parallel to the more spectacular realm of commercial film. In Useful Cinema, scholars examine organizations such as UNESCO, the YMCA, the Amateur Cinema League, and the Metropolitan Museum of Art. They also consider film exhibition sites in schools, businesses, and industries. As they expand understanding of this other American cinema, the contributors challenge preconceived notions about what cinema is. Contributors. Charles R. Acland, Joseph Clark, ZoË Druick, Ronald Walter Greene, Alison Griffiths, Stephen Groening, Jennifer Horne, Kirsten Ostherr, Eric Smoodin, Charles Tepperman, Gregory A. Waller, Haidee Wasson. Michael Zryd.