9780822348771 - a social history of iranian cinema, volume 3: the islamicate period, 1978–1984 (social history of iranian cinema (paperback)) von naficy, hamid (6 Ergebnisse)
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
- Softcover
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Zustand: New. Presents the history of Iranian cinema, covering the revolution at the end of the Shah's regime and the establishment of the Islamicate state. This title shows that the government was not against film per se, only against the portrayal of particular themes or behaviors. Num Pages: 42 illustrations, 8 tables. BIC Cl…assification: 1FBN; APF; HBTB. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 235 x 156 x 17. Weight in Grams: 468. . 2012. Paperback. . . . . Books ship from the US and Ireland.
- Softcover
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Paperback. Zustand: Brand New. 256 pages. 9.50x6.00x1.00 inches. In Stock.
- Softcover
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Zustand: New. pp. 288 42 Illus.
- Softcover
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Zustand: New. The third volume of this sweeping series covers the period of the Islamic Revolution and its immediate aftermath. Naficy details the destruction of Irans movie theaters by Revolutionaries, the attempts of amateur and professional filmmakers to capture the a.
- Softcover
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Taschenbuch. Zustand: Neu. Neuware - Hamid Naficy is one of the world's leading authorities on Iranian film, and A Social History of Iranian Cinema is his magnum opus. Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, it explains Iran's peculiar cinematic…production modes, as well as the role of cinema and media in shaping modernity and a modern national identity in Iran. This comprehensive social history unfolds across four volumes, each of which can be appreciated on its own. In Volume 3, Naficy assesses the profound effects of the Islamic Revolution on Iran's cinema and film industry. Throughout the book, he uses the term Islamicate, rather than Islamic, to indicate that the values of the postrevolutionary state, culture, and cinema were informed not only by Islam but also by Persian traditions. Naficy examines documentary films made to record events prior to, during, and in the immediate aftermath of the revolution. He describes how certain institutions and individuals, including prerevolutionary cinema and filmmakers, were associated with the Pahlavi regime, the West, and modernity and therefore perceived as corrupt and immoral. Many of the nation's moviehouses were burned down. Prerevolutionary films were subject to strict review and often banned, to be replaced with films commensurate with Islamicate values. Filmmakers and entertainers were thrown out of the industry, exiled, imprisoned, and even executed. Yet, out of this revolutionary turmoil, an extraordinary Islamicate cinema and film culture emerged. Naficy traces its development and explains how Iran's long war with Iraq, the gendered segregation of space, and the imposition of the veil on women encouraged certain ideological and aesthetic trends in film and related media. Finally, he discusses the structural, administrative, and regulatory measures that helped to institutionalize the new evolving cinema.A Social History of Iranian CinemaVolume 1: The Artisanal Era, 18971941Volume 2: The Industrializing Years, 19411978Volume 3: The Islamicate Period, 19781984Volume 4: The Globalizing Era, 19842010.
