Sprache: Englisch
Verlag: Duke University Press Books, 2011
ISBN 10: 0822348454 ISBN 13: 9780822348450
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Sprache: Englisch
Verlag: MD - Duke University Press, 2011
ISBN 10: 0822348454 ISBN 13: 9780822348450
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Zustand: New. 2011. Paperback. Puts the most exciting queer theorists in conversation with the complete works of William Shakespeare Editor(s): Menon, Madhavi. Series: Series Q. Num Pages: 512 pages, 18 illustrations. BIC Classification: 2AB; DSGS; JFSK. Category: (P) Professional & Vocational. Dimension: 235 x 155 x 33. Weight in Grams: 736. . . . . . Books ship from the US and Ireland.
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In den WarenkorbZustand: New. Shakesqueer puts the most exciting queer theorists in conversation with the complete works of William Shakespeare.Über den AutorMadhavi Menon, ed.InhaltsverzeichnisAcknowledgments ixIntroduction.
Sprache: Englisch
Verlag: Duke University Press Feb 2011, 2011
ISBN 10: 0822348454 ISBN 13: 9780822348450
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Shakesqueer puts the most exciting queer theorists in conversation with the complete works of William Shakespeare. Exploring what is odd, eccentric, and unexpected in the Bard's plays and poems, these theorists highlight not only the many ways that Shakespeare can be queered but also the many ways that Shakespeare can enrich queer theory. This innovative anthology reveals an early modern playwright insistently returning to questions of language, identity, and temporality, themes central to contemporary queer theory. Since many of the contributors do not study early modern literature, Shakesqueer takes queer theory back and brings Shakespeare forward, challenging the chronological confinement of queer theory to the last two hundred years. The book also challenges conceptual certainties that have narrowly equated queerness with homosexuality. Chasing all manner of stray desires through every one of Shakespeare's plays and poems, the contributors cross temporal, animal, theoretical, and sexual boundaries with abandon. Claiming adherence to no one school of thought, the essays consider The Winter's Tale alongside network TV, Hamlet in relation to the death drive, King John as a history of queer theory, and Much Ado About Nothing in tune with a Sondheim musical. Together they expand the reach of queerness and queer critique across chronologies, methodologies, and bodies.