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Anbieter: Better World Books, Mishawaka, IN, USA
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
EUR 29,66
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In den WarenkorbZustand: New. pp. 248.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 27,78
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In den WarenkorbPaperback. Zustand: Brand New. new title edition. 248 pages. 9.25x6.25x0.75 inches. In Stock.
Zustand: New. Focuses on the socially relevant aspects of Hip Hop music: its treatment of the identity of the black subject in a white society, new definitions of blackness and its commercialization. Num Pages: 248 pages. BIC Classification: AVGP. Category: (P) Professional & Vocational. Dimension: 228 x 162 x 15. Weight in Grams: 354. . 2004. Paperback. . . . . Books ship from the US and Ireland.
EUR 24,43
Anzahl: Mehr als 20 verfügbar
In den WarenkorbKartoniert / Broschiert. Zustand: New. Focuses on the socially relevant aspects of Hip Hop music: its treatment of the identity of the black subject in a white society, new definitions of blackness and its commercialization.Über den AutorImani PerryInhal.
Anbieter: LiLi - La Liberté des Livres, CANEJAN, Frankreich
Zustand: fine. l'article peut presenter de tres legers signes d'usure. vendeur professionnel; envoi soigne en 24/48h.
Sprache: Englisch
Verlag: Duke University Press Nov 2004, 2004
ISBN 10: 0822334461 ISBN 13: 9780822334460
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - At once the most lucrative, popular, and culturally oppositional musical force in the United States, hip hop demands the kind of interpretation Imani Perry provides here: criticism engaged with this vibrant musical form on its own terms. A scholar and a fan, Perry considers the art, politics, and culture of hip hop through an analysis of song lyrics, the words of the prophets of the hood. Recognizing prevailing characterizations of hip hop as a transnational musical form, Perry advances a powerful argument that hip hop is first and foremost black American music. At the same time, she contends that many studies have shortchanged the aesthetic value of rap by attributing its form and content primarily to socioeconomic factors. Her innovative analysis revels in the artistry of hip hop, revealing it as an art of innovation, not deprivation.