Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
EUR 10,03
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In den WarenkorbPaperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Sprache: Englisch
Verlag: Duke University Press, Durham, NC, 2002
ISBN 10: 0822329948 ISBN 13: 9780822329947
Anbieter: Abacus Bookshop, Pittsford, NY, USA
Erstausgabe
softcover. Zustand: Fine copy. 1st. 8vo, 291 pp., Post-Contemporary Interventions series.
Anbieter: Aardvark Rare Books, Presteigne, HEREF, Vereinigtes Königreich
EUR 19,27
Anzahl: 1 verfügbar
In den Warenkorbpaperback. Zustand: New. **PAPERBACK**.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 47,74
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 291 pages. 9.50x6.00x0.75 inches. In Stock.
Zustand: Very good.
Anbieter: moluna, Greven, Deutschland
EUR 42,12
Anzahl: Mehr als 20 verfügbar
In den WarenkorbKartoniert / Broschiert. Zustand: New. For Thomas Pynchon, the characteristic features of capitalism point to a transformation in the way human beings experience time and duration. Focusing on Pynchon s novels as representative artifacts of the postwar period, this book analyzes this transformat.
Sprache: Englisch
Verlag: Duke University Press Nov 2002, 2002
ISBN 10: 0822329948 ISBN 13: 9780822329947
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - For Thomas Pynchon, the characteristic features of late capitalism-the rise of the military-industrial complex, consumerism, bureaucratization and specialization in the workplace, standardization at all levels of social life, and the growing influence of the mass media-all point to a transformation in the way human beings experience time and duration. Focusing on Pynchon's novels as representative artifacts of the postwar period, Stefan Mattessich analyzes this temporal transformation in relation not only to Pynchon's work but also to its literary, cultural, and theoretical contexts.Mattessich theorizes a new kind of time-subjective displacement-dramatized in the parody, satire, and farce deployed through Pynchon's oeuvre. In particular, he is interested in showing how this sense of time relates to the counterculture of the 1960s and 1970s. Examining this movement as an instance of flight or escape and exposing the beliefs behind it, Mattessich argues that the counterculture's rejection of the dominant culture ultimately became an act of self-cancellation, a rebellion in which the counterculture found itself defined by the very order it sought to escape. He points to parallels in Pynchon's attempts to dramatize and enact a similar experience of time in the doubling-back, crisscrossing, and erasure of his writing. Mattessich lays out a theory of cultural production centered on the ethical necessity of grasping one's own susceptibility to discursive forms of determination.