9780822327998 - the cinema of economic miracles: visuality and modernization in the italian art film (post-contemporary interventions) von restivo, angelo (10 Ergebnisse)
Sprache: Englisch
Verlag: Duke University Press, 2002
- Softcover
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Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Sprache: Englisch
Verlag: Duke University Press, 2002
- Softcover
Anbieter: Better World Books, Mishawaka, IN, USABetter World Books
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Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Sprache: Englisch
Verlag: Duke University Press, 2002
- Softcover
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Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780822327998.
Sprache: Englisch
Verlag: Duke University Press, 2002
- Softcover
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Sprache: Englisch
Verlag: Duke University Press, 2002
- Softcover
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Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780822327998.
Sprache: Englisch
Verlag: MD - Duke University Press, 2002
- Softcover
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Sprache: Englisch
Verlag: Duke University Press, 2002
- Softcover
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Zustand: New. The Italian art cinema of the 1960s is known worldwide for its brilliance and vitality. This title argues for an understanding of that cinema as a negotiation between a national aesthetic tradition of realism and a nascent post-modern image culture. It is suitable for scholars and students in different areas of fil…m studies. Series: Post-Contemporary Interventions. Num Pages: 224 pages, 33 b&w photos. BIC Classification: 1DST; 3JJPK; APF; JFC. Category: (P) Professional & Vocational. Dimension: 148 x 235 x 23. Weight in Grams: 362. . 2002. Paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Duke Univ Pr, 2002
- Softcover
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Paperback. Zustand: Brand New. 212 pages. 9.00x5.75x0.75 inches. In Stock.
Sprache: Englisch
Verlag: DUKE UNIV PR, 2002
- Softcover
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Zustand: New. The Italian art cinema of the 1960s is known worldwide for its brilliance and vitality. This title argues for an understanding of that cinema as a negotiation between a national aesthetic tradition of realism and a nascent post-modern image culture. It is s.
Sprache: Englisch
Verlag: Duke University Press Feb 2002, 2002
- Softcover
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Taschenbuch. Zustand: Neu. Neuware - The Italian art cinema of the 1960s is known worldwide for its brilliance and vitality. Yet rarely has this cinema been considered in relation to the profound economic and cultural changes that transformed Italy during the sixties--described as the "economic miracle." Angelo Restivo argues fo…r a completely new understanding of that cinema as a negotiation between a national aesthetic tradition of realism and a nascent postmodern image culture.Restivo studies numerous films of the period, focusing mainly on the works of Pier Paolo Pasolini and Michelangelo Antonioni. He finds that these auteurs' films reworked the neorealist aesthetic developed in the 1940s and 1950s, explored issues brought to the fore by the subsequent consumer boom, and presaged developments central to both critical theory and the visual arts in the 1980s and 1990s. Drawing on the theories of Lacan, Zizek, Benjamin, Foucault, Jameson, and Deleuze, he shines new light on such films as Pasolini's Accattone and Teorema, and Antonioni's Red Desert and Blow-Up. Restivo's model for understanding the relationship of the 1960s Italian art film to its cultural contexts also has implications that extend to the developing national cinemas of countries such as Brazil and Taiwan. The Cinema of Economic Miracles will interest scholars and students in all areas of film studies, especially those studying theories of the image, national cinema theory, and Italian cinema, and to those engaged in poststructuralist theory, philosophy, and comparative literature.
