Sprache: Englisch
Verlag: Duke University Press Books, 2001
ISBN 10: 082232797X ISBN 13: 9780822327974
Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes Königreich
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In den WarenkorbZustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Sprache: Englisch
Verlag: Duke University Press Books, 2001
ISBN 10: 082232797X ISBN 13: 9780822327974
Anbieter: WeBuyBooks, Rossendale, LANCS, Vereinigtes Königreich
EUR 5,27
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In den WarenkorbZustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Sprache: Englisch
Verlag: Duke University Press Books, 2001
ISBN 10: 082232797X ISBN 13: 9780822327974
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. From the silent era to the present day, popular music has been a key component of the film experience. This title aims to fill this gap, as its contributors provide detailed analyses of individual films as well as historical overviews of genres, styles of music, and approaches to film scoring. Editor(s): Knight, Arthur; Wojcik, Pamela Robertson. Num Pages: 504 pages, 36 b&w photos. BIC Classification: APF; AVG. Category: (P) Professional & Vocational. Dimension: 5969 x 3963 x 33. Weight in Grams: 757. . 2001. Illustrated. paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Duke University Press Books, 2001
ISBN 10: 082232797X ISBN 13: 9780822327974
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
EUR 2,98
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In den WarenkorbZustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9780822327974.
Sprache: Englisch
Verlag: Duke University Press Books, 2001
ISBN 10: 082232797X ISBN 13: 9780822327974
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
EUR 2,98
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9780822327974.
EUR 39,46
Anzahl: 1 verfügbar
In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
EUR 61,50
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In den WarenkorbZustand: New. pp. 504 Illus.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 62,12
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 491 pages. 9.00x6.00x1.25 inches. In Stock.
EUR 42,62
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In den WarenkorbKartoniert / Broschiert. Zustand: New. From the silent era to the present day, popular music has been a key component of the film experience. This title aims to fill this gap, as its contributors provide detailed analyses of individual films as well as historical overviews of genres, styles of m.
Sprache: Englisch
Verlag: Duke University Press Dez 2001, 2001
ISBN 10: 082232797X ISBN 13: 9780822327974
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - From the silent era to the present day, popular music has been a key component of the film experience. Yet there has been little serious writing on film soundtracks that feature popular music. Soundtrack Available fills this gap, as its contributors provide detailed analyses of individual films as well as historical overviews of genres, styles of music, and approaches to film scoring. With a cross-cultural emphasis, the contributors focus on movies that use popular songs from a variety of genres, including country, bubble-gum pop, disco, classical, jazz, swing, French cabaret, and showtunes. The films discussed range from silents to musicals, from dramatic and avant-garde films to documentaries in India, France, England, Australia, and the United States. The essays examine both "nondiegetic" music in film-the score playing outside the story space, unheard by the characters, but no less a part of the scene from the perspective of the audience-and "diegetic" music-music incorporated into the shared reality of the story and the audience. They include analyses of music written and performed for films, as well as the now common practice of scoring a film with pre-existing songs. By exploring in detail how musical patterns and structures relate to filmic patterns of narration, character, editing, framing, and mise-en-scene, this volume demonstrates that pop music is a crucial element in the film experience. It also analyzes the life of the soundtrack apart from the film, tracing how popular music circulates and acquires new meanings when it becomes an official soundtrack. Contributors. Rick Altman, Priscilla Barlow, Barbara Ching, Kelley Conway, Corey Creekmur, Krin Gabbard, Jonathan Gill, Andrew Killick, Arthur Knight, Adam Knee, Jill Leeper, Neepa Majumdar, Allison McCracken, Murray Pomerance, Paul Ramaeker, Jeff Smith, Pamela Robertson Wojcik, Nabeel Zuberi.