Sprache: Englisch
Verlag: Duke University Press Books, 2000
ISBN 10: 0822324687 ISBN 13: 9780822324683
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EUR 13,71
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In den WarenkorbZustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780822324683.
Sprache: Englisch
Verlag: Durham and London Duke University Press 2000, 2000
ISBN 10: 0822324687 ISBN 13: 9780822324683
Anbieter: Chaucer Bookshop ABA ILAB, Canterbury, Vereinigtes Königreich
EUR 14,30
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In den WarenkorbPaperback, in pictorial card covers; [xii] + 312pp, indexed,with black and white illustrations. A clean copy with no previous ownership inscriptions or annotation. Card covers creased at top outer corners, otherwise a VG copy. (Shelf 203 BOX 12) ISBN: 0822324687 Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct.
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Presents a collection of reviews and articles originally published in gay community tabloids, academic journals, and anthologies. This work charts the emergence and maturation of author's sensibilities while lending an important historical perspective to the growth of film theory and criticism as well as queer moviemaking. Num Pages: 328 pages, 59 b&w photographs. BIC Classification: APFA; JFSK. Category: (P) Professional & Vocational. Dimension: 5995 x 3963 x 24. Weight in Grams: 526. . 2000. Paperback. . . . . Books ship from the US and Ireland.
EUR 51,86
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In den WarenkorbZustand: New. pp. 328.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 52,18
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In den WarenkorbPaperback. Zustand: Brand New. 312 pages. 8.50x6.00x1.25 inches. In Stock.
EUR 42,20
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In den WarenkorbKartoniert / Broschiert. Zustand: New. Presents a collection of reviews and articles originally published in gay community tabloids, academic journals, and anthologies. This work charts the emergence and maturation of author s sensibilities while lending an important historical perspective to th.
Sprache: Englisch
Verlag: Duke University Press Apr 2000, 2000
ISBN 10: 0822324687 ISBN 13: 9780822324683
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - For more than twenty years, film critic, teacher, activist, and fan Thomas Waugh has been writing about queer movies. As a member of the Jump Cut collective and contributor to the Toronto-based gay newspaper the Body Politic, he emerged in the late 1970s as a pioneer in gay film theory and criticism, and over the next two decades solidified his reputation as one of the most important and influential gay film critics. The Fruit Machine-a collection of Waugh's reviews and articles originally published in gay community tabloids, academic journals, and anthologies-charts the emergence and maturation of Waugh's critical sensibilities while lending an important historical perspective to the growth of film theory and criticism as well as queer moviemaking.In this wide-ranging anthology Waugh touches on some of the great films of the gay canon, from Taxi zum Klo to Kiss of the Spider Woman. He also discusses obscure guilty pleasures like Born a Man . . . Let Me Die a Woman, unexpectedly rich movies like Porky's and Caligula, filmmakers such as Fassbinder and Eisenstein, and film personalities from Montgomery Clift to Patty Duke. Emerging from the gay liberation movement of the 1970s, Waugh traverses crises from censorship to AIDS, tackling mainstream potboilers along with art movies, documentaries, and avant-garde erotic videos. In these personal perspectives on the evolving cinematic landscape, his words oscillate from anger and passion to wry wit and irony. With fifty-nine rare film stills and personal photographs and an introduction by celebrated gay filmmaker John Greyson, this volume demonstrates that the movie camera has been the fruit machine par excellence.