Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
paperback. Zustand: Very Good.
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
EUR 3,32
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
EUR 5,42
Anzahl: 3 verfügbar
In den WarenkorbZustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Paperback. Zustand: Used-Very Good. Pap. Minor shelf-wear.
EUR 7,46
Anzahl: 1 verfügbar
In den WarenkorbZustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN:9780822315490.
Sprache: Englisch
Verlag: MD - Duke University Press, 1994
ISBN 10: 0822315491 ISBN 13: 9780822315490
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 29,16
Anzahl: 2 verfügbar
In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
EUR 37,40
Anzahl: 1 verfügbar
In den WarenkorbZustand: New. pp. 144.
Sprache: Englisch
Verlag: Duke University Press Books, 1994
ISBN 10: 0822315491 ISBN 13: 9780822315490
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Series: Public Planet Books. Num Pages: 144 pages, 18 b&w photographs. BIC Classification: ABA; AC. Category: (P) Professional & Vocational. Dimension: 139 x 216 x 11. Weight in Grams: 195. . 1994. 1st edition. Paperback. . . . . Books ship from the US and Ireland.
EUR 42,37
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 144 pages. 8.00x5.50x0.50 inches. In Stock.
EUR 30,28
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. Über den AutorJane KramerInhaltsverzeichnisIntroduction / Catharine R. Stimpson 1Whose Art Is It? / Jane Kramer 37KlappentextWhose Art Is It? is the story of .
Sprache: Englisch
Verlag: Duke University Press Okt 1994, 1994
ISBN 10: 0822315491 ISBN 13: 9780822315490
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Whose Art Is It is the story of sculptor John Ahearn, a white artist in a black and Hispanic neighborhood of the South Bronx, and of the people he cast for a series of public sculptures commissioned for an intersection outside a police station. Jane Kramer, telling this story, raises one of the most urgent questions of our time: How do we live in a society we share with people who are, often by their own definitions, 'different ' Ahearn's subjects were 'not the best of the neighborhood.' They were a junkie, a hustler, and a street kid. Their images sparked a controversy throughout the community-and New York itself-over issues of white representations of people of color and the appropriateness of particular images as civic art. The sculptures, cast in bronze and painted, were up for only five days before Ahearn removed them. This compelling narrative raises questions about community and public art policies, about stereotypes and multiculturalism. With wit, drama, sympathy, and circumspection, Kramer draws the reader into the multicultural debate, challenging our assumptions about art, image, and their relation to community. Her portrait of the South Bronx takes the argument to its grass roots-provocative, surprising in its contradictions and complexities and not at all easy to resolve.Accompanied by an introduction by Catharine R. Stimpson exploring the issues of artistic freedom, 'political correctness,' and multiculturalism, Whose Art Is It is a lively and accessible introduction to the ongoing debate on representation and private expression in the public sphere.