Sprache: Englisch
Verlag: Univ of Chicago on Behalf of Ohio Univ Press, 2010
ISBN 10: 0821419005 ISBN 13: 9780821419007
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
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In den WarenkorbZustand: New. pp. 160.
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In den WarenkorbZustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN:9780821419007.
Zustand: New. 2009. 1st Edition. Paperback. . . . . . Books ship from the US and Ireland.
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In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Ohio Univ Ctr for Intl Studies, 2010
ISBN 10: 0821419005 ISBN 13: 9780821419007
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In den WarenkorbPaperback. Zustand: Brand New. 1st edition. 160 pages. 8.25x5.25x0.75 inches. In Stock.
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In den WarenkorbZustand: New. The career of Matthew Arnold as an eminent poet and the preeminent critic of his generation constitutes a remarkable historical spectacle orchestrated by a host of powerful Victorian cultural institutions. This book investigates these constructions by situa.
Sprache: Englisch
Verlag: Ohio University Press Nov 2009, 2009
ISBN 10: 0821419005 ISBN 13: 9780821419007
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - The career of Matthew Arnold as an eminent poet and the preeminent critic of his generation constitutes a remarkable historical spectacle orchestrated by a host of powerful Victorian cultural institutions. The Cultural Production of Matthew Arnold investigates these constructions by situating Arnold's poetry in a number of contexts that partially shaped it. Such analysis revises our understanding of the formation of the elite (and elitist) male literary-intellectual subject during the 1840s and 1850s, as Arnold attempts self-definition and strives simultaneously to move toward a position of ideological influence upon intellectual institutions that were contested sites of economic, social, and political power in his era. Antony H. Harrison reopens discussion of selected works by Arnold in order to make visible some of their crucial sociohistorical, intertextual, and political components. Only by doing so can we ultimately view the cultural work of Arnold 'steadily and . whole,' and in a fashion that actually eschews this mystifying premise of all Arnoldian inquiry which, by the early twentieth century, had become wholly naturalized in the academy as ideology.