Sprache: Englisch
Verlag: Peter Lang Inc., International A, 2006
ISBN 10: 0820474010 ISBN 13: 9780820474014
Anbieter: Books From California, Simi Valley, CA, USA
hardcover. Zustand: Very Good.
Sprache: Englisch
Verlag: Peter Lang Pub Inc, New York, New York, U. S. A., 2006
ISBN 10: 0820474010 ISBN 13: 9780820474014
Anbieter: Catnap Books, Cobleskill, NY, USA
Erstausgabe
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket. Illustrated by No Illustrations (illustrator). First Edition. Glossy covers, no dust jacket, as issued. Covers have a bit of wear and soiling; the contents are tight and clean. The book appears to have been unread. This is volume 72 in the Studies on Themes and Motifs in Literature, edited by Horst S. Daemmrich. An in-depth look at the German poet Rainer Maria Rilke and how philosophers such as Hegel, Nietzsche and mystic Alfred Schuler influenced his own philosophy and his driving desire to be original.
Sprache: Englisch
Verlag: Peter Lang Publishing, Incorporated, 2006
ISBN 10: 0820474010 ISBN 13: 9780820474014
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 54,45
Anzahl: 1 verfügbar
In den WarenkorbZustand: New. pp. viii + 185.
Sprache: Englisch
Verlag: Peter Lang Inc., International Academic Publishers, 2006
ISBN 10: 0820474010 ISBN 13: 9780820474014
Anbieter: Romtrade Corp., STERLING HEIGHTS, MI, USA
Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Influenced by Hegel and Nietzsche, and inspired by stays in Italy and France, as well as travels to Russia, Spain, and North Africa, Rainer Maria Rilke nevertheless sought desperately to be original. He rejected all 'idées reçues,' whether they were of God, reality, or literature, instead creating his own absolute. He searched for the 'real,' re-formed German poetry, and revolutionized Western narrative prose with Malte Laurids Brigge. While Rilke's work is marked by two cesuras, after which it displays important advances in diction and the figuration of verbal icons, it becomes ever more esoteric. However, there are also constants throughout his oeuvre in thematics, topoi, and diction - for example, the preoccupation with death, figures such as the angel, key nouns, alliterations, and noun sequences. His fear of death drove him to adopt 'the open,' an idea conceived by the dubious mystagogue Alfred Schuler that surfaces throughout Rilke's poetry and triumphs in Sonnets to Orpheus and Duino Elegies.