Sprache: Englisch
Verlag: University Of Georgia Press, 2008
ISBN 10: 0820331937 ISBN 13: 9780820331935
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In den WarenkorbZustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780820331935.
Sprache: Englisch
Verlag: University of Georgia Press, 2008
ISBN 10: 0820331937 ISBN 13: 9780820331935
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
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In den WarenkorbZustand: New. In English.
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In den WarenkorbPaperback. Zustand: Brand New. 384 pages. 9.25x6.00x1.00 inches. In Stock.
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In den WarenkorbZustand: New. Über den AutorJANET L. LARSON is an associate professor of English at Rutgers University at Newark. She is the author of several articles on Dickens and on other aspects of nineteenth-century British literature.
Sprache: Englisch
Verlag: University Of Georgia Press Dez 2008, 2008
ISBN 10: 0820331937 ISBN 13: 9780820331935
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - In Dickens and the Broken Scripture, Janet Larson examines the paradoxical role of the Bible in Dickens' novels, from such early works as Oliver Twist and Dombey and Son, in which the Bible and the Book of Common Prayer were drawn upon for the most part as stable sources of reassurance and order, to the far more complex novels of Dickens' maturity, such as Bleak House, Little Dorrit, and Our Mutual Friend. In these later works, biblical allusion performs an increasingly contradictory and dissonant role that brings into question not only the moral character of Victorian society but also the sanctity of received religious traditions.Critics have tended to view Dickens' extensive use of the Bible as a not particularly complex or admirable aspect of his artistry--as a device he used primarily as a means of reassuring and building solidarity with his Victorian public. But as Larson demonstrates, Dickens' use of biblical allusion was as sophisticated and multifaceted as his use of character, narrative, description, and plot. In Dickens' novels, the Bible is a broken book, in need of revitalization and reinterpretation for his time, but also desperately vulnerable to attack from the tempestuous Victorian society of his day.