9780815325307 - low and high style in italian renaissance art (garland studies in the renaissance, 8, band 8) von emison, patricia (7 Ergebnisse)
Sprache: Englisch
Verlag: Garland Publishing, Hamden, CT, 1997
- Hardcover
- Erstausgabe
Anbieter: Warwick Books, member IOBA, South Pasadena, CA, USAWarwick Books, member IOBA
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Zustand: Gebraucht - Sehr gut
EUR 31,13
EUR 6,00 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
Hardcover. Zustand: Fine. First Edition. Hardcover in glossy pictorial boards with cloth spine. First edition. Fine condition. Issued without dust jacket. 8vo. 209 pp. including bibliography, index, and an unpaginated section of black-and-white illustrations at rear.
Sprache: Englisch
Verlag: Garland Publishing, 1997
- Hardcover
Anbieter: Anybook.com, Lincoln, Vereinigtes KönigreichAnybook.com
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EUR 45,38
EUR 15,89 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780815325307.
Sprache: Englisch
Verlag: Routledge, 1997
- Hardcover
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
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EUR 244,18
EUR 14,00 VersandVersand von Vereinigtes Königreich nach USAAnzahl: Mehr als 20 verfügbar
Zustand: New. In.
Sprache: Englisch
Verlag: Taylor & Francis, 1997
- Hardcover
Anbieter: moluna, Greven, Deutschlandmoluna
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EUR 240,07
EUR 48,99 VersandVersand von Deutschland nach USAAnzahl: Mehr als 20 verfügbar
Zustand: New. PATRICIA EMISONFirst published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.During the later 15th and in the 16th centuries pictures began to be made without action, without place for heroism, pictures more rueful.
Sprache: Englisch
Verlag: Routledge, 1997
- Hardcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
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EUR 308,54
EUR 9,07 VersandVersand innerhalb von USAAnzahl: Mehr als 20 verfügbar
Zustand: New. An examination of the idealised High Art, and the private, personal, Low Art of the Renaissance, which aims to draw conclusions about class prejudice, gender stereotypes, and attitudes towards the ordinary which motivate such distinctions. This is volume 8 in the GARLAND STUDIES IN THE RENAISSANCE series. Series: G…arland Studies in the Renaissance. Num Pages: 284 pages, 40 photographs, bibliography, index. BIC Classification: 1DST; ACND. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 216 x 138 x 22. Weight in Grams: 485. . 1997. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Routledge, 1997
- Hardcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
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EUR 319,28
EUR 11,69 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 2 verfügbar
Hardcover. Zustand: Brand New. 1st edition. 209 pages. 9.00x6.00x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Taylor & Francis Ltd Okt 1997, 1997
- Hardcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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EUR 333,00
EUR 62,46 VersandVersand von Deutschland nach USAAnzahl: 2 verfügbar
Buch. Zustand: Neu. Neuware - During the later 15th and in the 16th centuries pictures began to be made without action, without place for heroism, pictures more rueful than celebratory. In part, Renaissance art adjusted to the social and economic pressures with an art we may be hard pressed to recognize under that same rubric-an… art not so much of perfected nature as simply artless. Granted, the heroic and epic mode of the Renaissance was that practiced most self-consciously and proudly. Yet it is one of the accomplishments of Renaissance art that heroic and epic subjects and style occasionally made way for less affirmative subjects and compositional norms, for improvisation away from the Vitruvian ideal. The limits of idealizing art, during the very period denominated as High Renaissance, is a topic that involves us in the history of class prejudice, of gender stereotypes, of the conceptualization of the present, of attitudes toward the ordinary, and of scruples about the power of sight Exploring the low style leads us particularly to works of art intended for display in private settings as personally owned objects, potentially as signs of quite personal emotions rather than as subscriptions to publicly vaunted ideologies. Not all of them show shepherds or peasants; none of them-not even Giorgione's La tempesta -is a classic pastoral idyll. The rosso stile is to be understood as more comprehensive than that. The issue is not only who is represented, but whether the work can or cannot be fit into the mold of a basically affirmative art.
