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In den WarenkorbZustand: Very Good. Slight shelf wear otherwise fine.
Sprache: Englisch
Verlag: New York University Press, 2000
ISBN 10: 0814781373 ISBN 13: 9780814781371
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: New York University Press, 2001
ISBN 10: 0814781373 ISBN 13: 9780814781371
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
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In den WarenkorbZustand: New. pp. 321 16 Illus.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
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In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: New York University Press, 2001
ISBN 10: 0814781373 ISBN 13: 9780814781371
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. An examination of the relationship between modernism and postmodernism within the frame of 20th-century American culture. The essays suggest that the relationship between the modern and the postmodern is not one of rupture, belatedness, dilution or extremity, but of haunting. Editor(s): Scandura, Jani. Series: Cultural Front. Num Pages: 321 pages, Illustrations. BIC Classification: 1KBB; JFC; JHM. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5817 x 3887 x 21. Weight in Grams: 431. . 2000. Paperback. . . . . Books ship from the US and Ireland.
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In den WarenkorbPaperback. Zustand: Brand New. illustrated edition. 304 pages. 9.00x6.00x1.00 inches. In Stock.
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In den WarenkorbKartoniert / Broschiert. Zustand: New. An examination of the relationship between modernism and postmodernism within the frame of 20th-century American culture. The essays suggest that the relationship between the modern and the postmodern is not one of rupture, belatedness, dilution or extremit.
Sprache: Englisch
Verlag: New York University Press Aug 2000, 2000
ISBN 10: 0814781373 ISBN 13: 9780814781371
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Drawing on a variety of interdisciplinary debates in cultural studies and contemporary theory, Modernism, Inc. provides a new look at the relationship between modernism and postmodernism within the critical frame of twentieth-century American culture. Organized around the idea of 'incorporation'--embodiment, repressed memory, and advanced capitalism--Modernism, Inc. covers a wide range of topics: Josephine Baker's 'hot house style'; the president's penis in American political life; myth-making and the Hoover Dam; trauma, poetics, and the Armenian genocide; feminist kitsch and the recuperation of North America's 'Great Lady painters'; Gertrude Stein and Jewish Social Science; the Reno Divorce Factory and the production of gender; Andy Razaf and Black Bolshevism. Collectively, the essays suggest that the relationship between the modern and the postmodern is not one of rupture, belatedness, dilution, or extremity, but of haunting. Modernism, Inc. looks at our ghosts, and at the unspeakable secrets of modernity from which they're derived. Contributors: Maria Damon, Walter Kalidjian, Walter Lew, Janet Lyon, William J. Maxwell, Cary Nelson, John Timberman Newcombe, David G. Nicholls, Thomas Pepper, Paula Rabinowitz, Daniel Rosenberg, Marlon Ross, Jani Scandura, Kathleen Stewart, Julia Walker.