Sprache: Englisch
Verlag: New York University Press, 2000
ISBN 10: 0814756395 ISBN 13: 9780814756393
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: New York University Press, 2000
ISBN 10: 0814756395 ISBN 13: 9780814756393
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 38,87
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In den WarenkorbZustand: New. pp. 240.
Sprache: Englisch
Verlag: New York University Press, 2000
ISBN 10: 0814756395 ISBN 13: 9780814756393
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. At a time when "sexy" can be an adjective for anything, the actual representation of sex is still deemed confrontational, aggressive, and "in your face". In readings ranging across film, drama, opera, fine art and critical theory, Mandy Merck provides a series of studies on this phenomena. Series: Sexual Cultures. Num Pages: 240 pages, 18 illustrations. BIC Classification: JFC; JFSJ. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5817 x 3887 x 18. Weight in Grams: 363. . 2000. Paperback. . . . . Books ship from the US and Ireland.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 53,90
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In den WarenkorbPaperback. Zustand: Brand New. illustrated edition edition. 245 pages. 9.25x6.00x0.75 inches. In Stock.
Anbieter: moluna, Greven, Deutschland
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In den WarenkorbKartoniert / Broschiert. Zustand: New. At a time when sexy can be an adjective for anything, the actual representation of sex is still deemed confrontational, aggressive, and in your face . In readings ranging across film, drama, opera, fine art and critical theory, Mandy Merck provides a ser.
Sprache: Englisch
Verlag: New York University Press Okt 2000, 2000
ISBN 10: 0814756395 ISBN 13: 9780814756393
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - At a time when 'sexy' can be an adjective for anything, when sexual awareness is declared to be advancing faster in months than in the past half century, and when pundits warn of sexual overload, the actual representation of sex is still deemed confrontational, aggressive, 'in your face.' While critics accuse the academy of an obsession with sexuality, they also complain that nothing that appears to refer to sex really does. In readings ranging across film, drama, opera, fine art, and critical theory, Mandy Merck considers these phenomena as well as the role of the dog in anti-porn propaganda, the unacknowledged significance of the lesbian hand, and the early retirement of the phallus. Other topics include the relationship of women's tennis and prostitution, the gendering of the wild and the tame in the age of AIDS, and the sexlessness of postmodern criticism. In Your Face ends with the face and its alleged desecration by fellatio. Germaine Greer's condemnation of Bill Clinton for 'fucking the faces of little girls' is examined in the light of one of Monica Lewinsky's endearments for the President--'fuckface.' In a country whose last great Presidential scandal revolved around a key witness known only as 'Deep Throat' and whose current Chief Executive works in the 'Oral Office,' giving head is going down in history. Analyzing the strange relationship of Linda Lovelace, Camille Paglia, and Paul de Man, In Your Face concludes by considering desire and disgust in high and low places.