ISBN: 9780813563404 - screenwriting (behind the silver screen, 8, band 8) (5 Ergebnisse)

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  • Sprache: Englisch

    Verlag: Rutgers University Press, 2014

    0813563402 / 9780813563404

    Serie: Buch 2 von 10 - Behind the Silver Screen

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    Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780813563404.

  • Sprache: Englisch

    Verlag: Rutgers University Press, 2014

    0813563402 / 9780813563404

    Serie: Buch 2 von 10 - Behind the Silver Screen

    • Softcover

    Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore

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  • Sprache: Englisch

    Verlag: Rutgers Univ Pr, 2014

    0813563402 / 9780813563404

    Serie: Buch 2 von 10 - Behind the Silver Screen

    • Softcover

    Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books

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    Paperback. Zustand: Brand New. 224 pages. 9.25x6.25x0.75 inches. In Stock.

  • Sprache: Englisch

    Verlag: RUTGERS UNIV PR, 2014

    0813563402 / 9780813563404

    Serie: Buch 2 von 10 - Behind the Silver Screen

    • Softcover

    Anbieter: moluna, Greven, Deutschlandmoluna

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    Zustand: New. &Uumlber den AutorANDREW HORTON is the Jeanne H. Smith Professor of Film and Video Studies at the University of Oklahoma. He is an award-winning screenwriter and the author of twenty-six books, including Screenwriting for a.

  • Sprache: Englisch

    Verlag: Rutgers University Press Aug 2014, 2014

    0813563402 / 9780813563404

    Serie: Buch 2 von 10 - Behind the Silver Screen

    • Softcover

    Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH

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    Taschenbuch. Zustand: Neu. Neuware - Screenwriters often joke that "no one ever paid a dollar at a movie theater to watch a screenplay." Yet the screenplay is where a movie begins, determining whether a production gets the "green light" from its financial backers and wins approval from its audience. This innovative volume gives readers a comprehensive portrait of the art and business of screenwriting, while showing how the role of the screenwriter has evolved over the years.Reaching back to the early days of Hollywood, when moonlighting novelists, playwrights, and journalists were first hired to write scenarios and photoplays, Screenwriting illuminates the profound ways that screenwriters have contributed to the films we love. This book explores the social, political, and economic implications of the changing craft of American screenwriting from the silent screen through the classical Hollywood years, the rise of independent cinema, and on to the contemporary global multi-media marketplace. From The Birth of a Nation (1915), Gone With the Wind (1939), and Gentleman's Agreement (1947) to Chinatown (1974), American Beauty (1999), and Lost in Translation (2003), each project began as writers with pen and ink, typewriters, or computers captured the hopes and dreams, the nightmares and concerns of the periods in which they were writing.As the contributors take us behind the silver screen to chronicle the history of screenwriting, they spotlight a range of key screenplays that changed the game in Hollywood and beyond. With original essays from both distinguished film scholars and accomplished screenwriters, Screenwriting is sure to fascinate anyone with an interest in Hollywood, from movie buffs to industry professionals. …