Isbn: 9780813531915 - the cinematic imagination: indian popular films as social history (12 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Zustand: Good. 1 Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780813531915. …

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Zustand: New. India produces more films than any other country and these works are consumed by non-Western cultures in Africa, Eastern Europe, the Middle East, and by Indian communities across the world. This text focuses on how such a dominant media configures the "nation" in post-Independence Hindi cinema. Num Pages: 280 pages, 1, black & white illustrations. BIC Classification: 1FKA; 3JJ; APF; JFD. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 14. Weight in Grams: 399. . 2003. Paperback. . . . . Books ship from the US and Ireland.…

Paperback. Zustand: Brand New. illustrated edition. 280 pages. 9.00x6.25x0.75 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - 'This book makes an important contribution to the field of Asian film criticism, Indian film history, cultural studies, and gender studies. The Cinematic ImagiNation provides readers with valuable insight into the relationships between nation-building, gender, sexuality, the family, and popular cinema, using post-Independence India as a case study.' --Gina Marchetti, author of Romance and the 'Yellow Peril': Race, Sex, and Discursive Strategies in Hollywood Fiction India produces more films than any other country in the world, and these works are avidly consumed by non-Western cultures in Africa, Eastern Europe, the Middle East, and by the Indian communities in Australia, Britain, the Caribbean Islands, and North America. Jyotika Virdi focuses on how this dominant medium configures the 'nation' in post-Independence Hindi cinema. She scrutinizes approximately thirty films that have appeared since 1950 and demonstrates how concepts of the nation form the center of this cinema's moral universe. As a kind of storytelling, Indian cinema provides a fascinating account of social history and cultural politics, with the family deployed as a symbol of the nation. Virdi demonstrates how the portrayal of the nation as a mythical community in Hindi films collapses under the weight of its own contradictions--irreconcilable differences that encompass gender, sexuality, family, class, and religious communities. Through these film narratives, the author traces transactions among the various constituencies that struggle, accommodate, coexist uneasily, or reconstitute each other over time, and, in the process, reveal the topography of postcolonial culture. …

Zustand: New. India produces more films than any other country and these works are consumed by non-Western cultures in Africa, Eastern Europe, the Middle East, and by Indian communities across the world. This text focuses on how such a dominant media configures the nat.