9780813529608 - Mirroring Evil: Nazi Imagery/Recent Art von Jewish Museum (New York, N. Y.) (8 Ergebnisse)

Zustand: Good. 1 Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. 1 Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Softbound. Zustand: Very Good. Quarto, glossy paper covers, xviii, 164 pp., b/w and color illustrations, artist biographies, contributors, bibliography, credits Director's Preface by Joan Rosenbaum. Foreword: Looking into the Mirrors of Evil by James E. Young. Articles are "The Nazi Occupation of the White Cube: Transgressive Images/ Moral Ambiguity/ Contemporary Art," Kleeblatt, "Acts of Impersonation: Barbaric Spaces as Theater," Sidra DeKoven Ezrahi, "Childhood, Art, and Evil," Ellen Handler Spitz, "'Avant-Garde and Kitsch' Revisited: On the Ethics of Representation," Lisa Satlzman, "Playing the Holocaust," Ernst van Alphen, "Playing it Safe?: The Display of Transgressive Art in the Museum," Reesa Greenberg." Reflection on the Works of Art are "Keeping One's Hands Clean: Six Commissioned Portraits of a Perpetrator. Christine Borland's L'Homme Double, 1997." "Male Fantasies of Hitler: Confusing Gender and Identity. Roee Rosen's 'Live and Die as Eva Braun,' 1995" "Transforming Images into Symbols: Mischa Kuball's 'Hitler Cabinet,' 1990, "The Conflation of Good and Evil: Piotr Uklanski's 'The Nazis,' 1998," "A Feminist Rejoinder to Uklanski's 'The Nazis': Elke Krystufek's 'Economical Love' Series, 1998," "Impersonating the Victim: Consorting with History. Alan Schechner's 'Barcode to Concentration Camp Morph,' 1994 and 'It's the Real Thing - self-Portrait at Buchenwald, 1993," "Impossible Bedfellows: Adolf Hitler and Marcel Duchamp. Rudolf Herz's 'Zugswang,' 1995," "The Villain Speak's the Victim's Language. Boaz Arad's 'Safam,' 2000 and 'Marcel Marcel,' 2000," "Fascinating Fascism: Then and Now? Maciej Toporowicz's 'Eternity #14,' 1991," "Mirror's of Innocence and Violence: Alain Sechas 'Enfants Gates,' 1997," "Zbigniew Libera's 'Lego Concentration Camp Set,' 1996" "Faswhioning Terror. Tom Sachs 'Giftgas Giftset,' 1998 and 'Prada Deathcamp' 1998," and "Staging Depravity. Mat Collishaw's 'Burnt Almonds (Gustav and Helga),' 2000.".

paperback. Zustand: Very Good.

1st edition. 4to.xviii + 164pp. Colour and b/w. illustrations. Paperback in original pictorial wrapps. with black and grey spine. ISBN 0813529603 US$18.

Couverture souple. Zustand: Très bon état. Livre en anglais. In-4 broché 27,9 cm sur 21,6. 180 pages. Neuf, sous blister. Très bon état d'occasion. in-4°.

Softcover. Sehr guter Zustand. BITTE BEACHTEN: KEIN VERSAND AUSSERHALB EU - PLEASE NOTE: NO SHIPPING OUTSIDE EUROPEAN UNION. Broschur, XVIII, 164 Seiten, mit zahlreichen Abbildungen. / Paperback, XVIII, 164 pages, with numerous illustrations. 28 x 22 cm. Gewicht: 1100.