Isbn: 9780813528250 - the first world war and popular cinema: 1914 to the present (10 Ergebnisse)

Paperback. Zustand: Like New. 1. Clean copy. May have remainder mark.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: New. 2000. paperback. . Not a first edition copy. . . . Books ship from the US and Ireland.

Zustand: as new. New Brunswick, NJ : Rutgers University Press , 2000. Paperback. xv,267 pp. 24 cm. Includes bibliographical references and index. Condition : as new copy. ISBN 9780813528250. Keywords : , World War, 1914-1919.

SOFTCOVER. Zustand: As New. 1st Edition. Large 8vo in colour printed stiff glossy card covers, 267pp, plates, index etc . [CONDITION: NEW unread and unmarked copy ] . __To see more of our books on Film type DbbFILM in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Paperback. Zustand: Brand New. 288 pages. 9.25x6.25x0.50 inches. In Stock.

Zustand: New. Provides fresh insight into the role of film as an historical and cultural tool. Through a comparative approach, essays by contributors from Europe, Australia, Canada, and the United States enrich our understanding of cinematic depictions of the Great War i.

Taschenbuch. Zustand: Neu. Neuware - The Great War played an instrumental role in the development of cinema, so necessary was it to the mobilization efforts of the combatant nations. In turn, after the war, as memory began to fade, cinema continued to shape the war's legacy and eventually to determine the ways in which all warfare is imagined. The First World War and Popular Cinema provides fresh insight into the role of film as an historical and cultural tool. Through a comparative approach, essays by contributors from Europe, Australia, Canada, and the United States enrich our understanding of cinematic depictions of the Great War in particular and combat in general. New historical research on both the uses of propaganda and the development of national cinemas make this collection one of the first to show the ways in which film history can contribute to our study of national histories. The contributors to the volume monitor popular perceptions of the war, the reshaping of the war's legacy, and the evolution of cinematic clichÉs that are perpetuated in filmmaking through the century. Some of the films they discuss are All Quiet on the Western Front, Gallipoli, The Grand Illusion, The Big Parade, Battle of the Somme, J'Accuse, Regeneration, and many more. The First World War and Popular Cinema is a vital addition to film studies and history, two fields only recently united in a productive way.…