9780813192604 - the philosophy of science fiction film (the philosophy of popular culture) von sanders, steven (6 Ergebnisse)

Sprache: Englisch
Verlag: University Press of Kentucky (edition ), 2010
Serie: The Philosophy of Popular Culture, Buch 18 von 27. Buch 18 von 27 - The Philosophy of Popular Culture
- Softcover
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Paperback. Zustand: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Sprache: Englisch
Verlag: University Press of Kentucky, 2010
Serie: The Philosophy of Popular Culture, Buch 18 von 27. Buch 18 von 27 - The Philosophy of Popular Culture
- Softcover
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Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Sprache: Englisch
Verlag: University Press of Kentucky, 2010
Serie: The Philosophy of Popular Culture, Buch 18 von 27. Buch 18 von 27 - The Philosophy of Popular Culture
- Softcover
Anbieter: Better World Books, Mishawaka, IN, USABetter World Books
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Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Sprache: Englisch
Verlag: Univ Pr of Kentucky, 2010
Serie: The Philosophy of Popular Culture, Buch 18 von 27. Buch 18 von 27 - The Philosophy of Popular Culture
- Softcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
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Paperback. Zustand: Brand New. 232 pages. 8.75x6.00x0.50 inches. In Stock.

Sprache: Englisch
Verlag: UNIV PR OF KENTUCKY, 2010
Serie: The Philosophy of Popular Culture, Buch 18 von 27. Buch 18 von 27 - The Philosophy of Popular Culture
- Softcover
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Zustand: New. In The Philosophy of Science Fiction Film, distinguished authors explore the storylines, conflicts, and themes of fifteen science fiction film classics, from Metropolis to The Matrix.Über den AutorSteven M. Sanders, emeritus pro.

Sprache: Englisch
Verlag: University Press Of Kentucky Jan 2010, 2010
Serie: The Philosophy of Popular Culture, Buch 18 von 27. Buch 18 von 27 - The Philosophy of Popular Culture
- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Taschenbuch. Zustand: Neu. Neuware - The science fiction genre maintains a remarkable hold on the imagination and enthusiasm of the filmgoing public, captivating large audiences worldwide and garnering ever-larger profits. Science fiction films entertain the possibility of time travel and extraterrestrial visitation and imaginat…ively transport us to worlds transformed by modern science and technology. They also provide a medium through which questions about personal identity, moral agency, artificial consciousness, and other categories of experience can be addressed. In The Philosophy of Science Fiction Film, distinguished authors explore the storylines, conflicts, and themes of fifteen science fiction film classics, from Metropolis to The Matrix. Editor Steven M. Sanders and a group of outstanding scholars in philosophy, film studies, and other fields raise science fiction film criticism to a new level by penetrating the surface of the films to expose the underlying philosophical arguments, ethical perspectives, and metaphysical views. Sanders's introduction presents an overview and evaluation of each essay and poses questions for readers to consider as they think about the films under discussion.The first section, 'Enigmas of Identity and Agency,' deals with the nature of humanity as it is portrayed in Blade Runner, Dark City, Frankenstein, Invasion of the Body Snatchers, and Total Recall. In the second section, 'Extraterrestrial Visitation, Time Travel, and Artificial Intelligence,' contributors discuss 2001: A Space Odyssey, The Terminator, 12 Monkeys, and The Day the Earth Stood Still and analyze the challenges of artificial intelligence, the paradoxes of time travel, and the ethics of war. The final section, 'Brave Newer World: Science Fiction Futurism,' looks at visions of the future in Metropolis, The Matrix, Alphaville, and screen adaptations of George Orwell's 1984.