9780813190563 - television histories: shaping collective memory in the media age (6 Ergebnisse)
- Softcover
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Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.
- Softcover
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Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
- Softcover
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Paperback. Zustand: Brand New. 2nd edition. 392 pages. 8.75x6.00x1.00 inches. In Stock.
- Softcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
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Zustand: New. Television has become the primary source of historical information for tens of millions of Americans. This book poses the questions: Why has television become such a respected authority? and what falsehoods enter our collective memories as truths? Editor(s): Edgerton, Gary R.; Rollins, Peter C. Num Pages: 392 pages…, 61 photographs. BIC Classification: 1KBB; APT; HB; JFD. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 224 x 176 x 21. Weight in Grams: 516. . 2003. 2 Sub. Paperback. . . . . Books ship from the US and Ireland.
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- Softcover
Anbieter: moluna, Greven, Deutschlandmoluna
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Zustand: New. From Ken Burns s documentaries to historical dramas such as Roots, from A&E s Biography series to CNN, television has become the primary source for historical information for tens of millions of Americans today.Über den AutorGar.
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- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Taschenbuch. Zustand: Neu. Neuware - From Ken Burns's documentaries to historical dramas such as Roots, from A&E's Biography series to CNN, television has become the primary source for historical information for tens of millions of Americans today. Why has television become such a respected authority What falsehoods enter our co…llective memory as truths How is one to know what is real and what is imagined--or ignored--by producers, directors, or writers Gary Edgerton and Peter Rollins have collected a group of essays that answer these and many other questions. The contributors examine the full spectrum of historical genres, but also institutions such as the History Channel and production histories of such series as The Jack Benny Show, which ran for fifteen years. The authors explore the tensions between popular history and professional history, and the tendency of some academics to declare the past 'off limits' to nonscholars. Several of them point to the tendency for television histories to embed current concerns and priorities within the past, as in such popular shows as Quantum Leap and Dr. Quinn, Medicine Woman. The result is an insightful portrayal of the power television possesses to influence our culture.
