ISBN: 9780813039725 - original intentions: essays on production, reproduction, and interpretation in the arts of china (david a. cofrin asian art manuscript) (6 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New. Editor(s): Pearce, Nicholas; Steuber, Jason. Num Pages: 320 pages, Illustrations (chiefly col.), col. map. BIC Classification: ACBP. Category: (G) General (US: Trade). Dimension: 305 x 254 x 33. Weight in Grams: 1200. . 2012. Hardcover. . . . . Books ship from the US and Ireland.

Zustand: New. &Uumlber den AutorNicholas Pearce, professor of Chinese art and Head of the School of Culture and Creative Arts at the University of Glasgow, is the author of Photographs of Peking, China, 1861-1908. Jason Steuber, Cofrin Curator of A.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 302 pages : illustrations (chiefly colour), colour map ; 32 cm Contents: A flash in the pan : the "Bushell Bowl" controversy revisited / Nick Pearce -- Canon formation and the development of western Chinese art history / Roger Covey -- Pigment style and workshop practice in the Yuan dynasty wall paintings from the Lower Guangsheng Monastery / Ling-en Lu -- Qing dynasty emperors Kangxi and Qianlong : rule through replication in architecture and the arts / Jason Steuber -- Replicating the past : ink rubbing and its related ideas in contemporary Chinese art / Wei-Cheng Lin -- Copying and transmitting, knowledge and nonsense : from the Great encyclopedia to A book from the sky / Shane McCausland -- Some considerations of the bronze inscription techniques used during the Shang and Zhou dynasties / Changping Zhang. …

Hardcover. Zustand: Brand New. 302 pages. 9.75x11.00x1.00 inches. In Stock.

Buch. Zustand: Neu. Neuware - For both museums and collectors, questions of ''authenticity'' often dominate the decision to acquire a new work. This issue is especially thorny for Westerners when dealing with Chinese art. Believing that everything has a precedent, Chinese artists were never bashful about reproducing art, typically seeing less of a difference between the original work and reproductions. As a result, replication has often been considered a fundamental mode of production in Chinese art, with roots extending to antiquity. In turn, some collectors would knowingly brandish originals next to replicas while others completely rejected the idea of imitations as artworks. The essays in Original Intentions explore the highly controversial questions of faking, copying, and replicating Chinese painting, bronzes, ceramics, works on paper, and sculpture. Offering a broad range of perspectives on conservation, technical analysis, social history, and collecting, the contributors to the volume explore the question of authenticity in the arts of China. Essays feature both theoretical and object-based research in a broad chronological framework, addressing a wide range of issues in both Chinese and Western contexts.…