ISBN: 9780812282290 - no mysteries out of ourselves: identity and textual form in the novels of herman melville (anniversary collection) (4 Ergebnisse)

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  • Sprache: Englisch

    Verlag: University of Pennsylvania Press, 1990

    0812282299 / 9780812282290

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    Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

  • Sprache: Englisch

    Verlag: De Gruyter, 1990

    0812282299 / 9780812282290

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    Zustand: New. No detailed description available for No Mysteries Out of Ourselves .Bellis Peter J. : Peter J. Bellis is Professor of English at the University of Alabama at Birmingham.&Uumlber den AutorPeter J. Bellis is Professo.

  • Sprache: Englisch

    Verlag: Univ of Pennsylvania Pr, 1990

    0812282299 / 9780812282290

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    Hardcover. Zustand: Brand New. 234 pages. 9.50x6.50x1.00 inches. In Stock.

  • Sprache: Englisch

    Verlag: University Of Pennsylvania Press Apr 1990, 1990

    0812282299 / 9780812282290

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    Buch. Zustand: Neu. Neuware - In this book Peter J. Bellis aims to show how Melville's career is shaped by his desire to define and represent the self, to find a secure identity on which to base personal and social relations. Using Typee, Pierre, White-Jacket, Redburn, Billy Budd, and Moby-Dick as models, Bellis isolates three forms of selfhood-the integrity of the physical body, the son's genealogical link to his father, and the coherence of an autobiographical text-that Melville explores throughout his work. He shows how, as Melville texts each of these, his work becomes increasingly self-reflexive and self-critical; his search for an absolute ground for both self and text ends by undermining the very authority it would establish. In this Melville differed markedly from Whitman and Thoreau, who did find or create identities for themselves in their writing. Bellis examines Melville's last novel, The Confidence-Man, to show his method as ultimately deconstructive-culminating, in fact, in the abandonment of Melville's own career as a novelist.…