Sprache: Englisch
Verlag: MT - University of Pennsylvania Press, 2005
ISBN 10: 0812238621 ISBN 13: 9780812238624
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 86,60
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In den WarenkorbHRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 96,06
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In den WarenkorbHardcover. Zustand: Brand New. 272 pages. 9.00x6.25x1.00 inches. In Stock.
Sprache: Englisch
Verlag: University of Pennsylvania Press, 2005
ISBN 10: 0812238621 ISBN 13: 9780812238624
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 2005. Illustrated. Hardcover. . . . . . Books ship from the US and Ireland.
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EUR 75,07
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In den WarenkorbGebunden. Zustand: New. Offering a new history of proprietary authorship, this volume is able to address contemporary debates of copyright, intellectual property, and fair use by reorienting critical attention away from authorial rights and toward authorial responsibilities.
Sprache: Englisch
Verlag: University Of Pennsylvania Press Jun 2005, 2005
ISBN 10: 0812238621 ISBN 13: 9780812238624
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - Copyright and intellectual property issues are intricately woven into any written work, but the precise nature of this relationship has plagued authors, printers, and booksellers for centuries. What does it mean to own the products of our intellectual labors in our own time And what was the meaning three centuries ago, when copyright laws were first put into place Jody Greene argues that while 'owning' one's book is critical to the development of modern notions of authorship, studies of authorial property rights have in fact lost sight of the most critical valence of owning in early modern England: that is, owning up to or taking responsibility for one's work. Greene puts forth what she calls a 'paranoid theory of copyright,' under which literary property rights are a means of state regulation to assign responsibility for printed works, to identify one person who will step forward and claim the work in exchange for the right to reap the benefits of the literary marketplace. Blending research from legal, historical, and literary archives and drawing on the troubled authorial careers of figures such as Roger L'Estrange, Elizabeth Cellier, Daniel Defoe, John Gay, and Alexander Pope, The Trouble with Ownership looks to the literary culture of early modern England to reveal the intimate relationship between proprietary authorship and authorial liability.