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Verlag: University of Pennsylvania Press, 1992
ISBN 10: 0812231880ISBN 13: 9780812231885
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Good. Used book that is in clean, average condition without any missing pages.
Verlag: University of Pennsylvania Press, 1992
ISBN 10: 0812231880ISBN 13: 9780812231885
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
Verlag: University of Pennsylvania Press Anniversary Collection (edition First Edition), 1992
ISBN 10: 0812231880ISBN 13: 9780812231885
Anbieter: BooksRun, Philadelphia, PA, USA
Buch Erstausgabe
Hardcover. Zustand: Good. First Edition. Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported.
Verlag: University of Pennsylvania Press, Philadelphia, 1992
ISBN 10: 0812231880ISBN 13: 9780812231885
Anbieter: San Francisco Book Company, Paris, Frankreich
Buch
Hardcover. Zustand: Very good. Zustand des Schutzumschlags: very good. Cloth/dust jacket Octavo. blue cloth gray lettering illustrated dust jacket 178 pp.
Verlag: University of Pennsylvania Press, 1992
ISBN 10: 0812231880ISBN 13: 9780812231885
Anbieter: Plurabelle Books Ltd, Cambridge, Vereinigtes Königreich
Verbandsmitglied: GIAQ
Buch
Hardback. Zustand: Good. xi 178p hardback, steel-blue cloth with grey jacket, good condition, minimal wear, jacket clear and bright, binding firm, endpapers unmarked, light pencil marks to a few margins, pages otherwise clean and neat like new, very good pre-owned copy Language: English.
Verlag: Philadelphia: University of Pennsylvania Press, 1992
ISBN 10: 0812231880ISBN 13: 9780812231885
Anbieter: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Deutschland
Buch
Hardcover with dust jacket. Zustand: Sehr gut. 178 p. Ein sehr gutes und sauberes Exemplar ohne Anstreichungen / A very good and clean copy without markings. - Contents Acknowledgments List of Primary Texts Introduction 1. The Illusion of Love, the Love of Illusion: The Ars amatoria and Remedia amoris 2. From Rome to France: Under the Sign of Ovid 3. The Diligent Reader and the Twofold Text: Andreas Capellanus and the Rhetoric of Love 4. Through the Looking Glass: Jean de Meun's Mirror for Lovers Appendix. Medieval Reception and Transmission of Ovid's Amatory Works: An Overview Notes Index. ISBN 9780812231885 Sprache: Englisch Gewicht in Gramm: 496.
Verlag: University of Pennsylvania Press Anniversary Collection, 1992
ISBN 10: 0812231880ISBN 13: 9780812231885
Anbieter: SKULIMA Wiss. Versandbuchhandlung, Westhofen, Deutschland
Buch
Amatory Fiction from Ovid to the 'Romance of the Rose'. Allen argues that the 'De amore' and the 'Romance of the Rose' are central to the courtly tradition. Allen contends that their conflicts and contradictions are not signs of confusion or artistic failure, but are instead essential clues which show that the medieval works follow the disruptive structural model of Ovid's first century elegiac Ars amatoria (Art of Love) and Remedia amoris (Cures for Love). Andreas's and Jean's works, no less than Ovid's, teach not the art of love for practicing lovers, but the literary art of love poetry and fiction. XI,178 Seiten, gebunden (Middle Ages Series/University of Pennsylvania Press 1992) textsauberes Exemplar mit leichten Gebrauchsspuren, leicht berieben/clean text pages, minor traces of use, slightly rubbed. Früher EUR 79,50 520 g. Sprache: en.
Verlag: De Gruyter|University of Pennsylvania Press, 1992
ISBN 10: 0812231880ISBN 13: 9780812231885
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New. No detailed description available for The Art of Love .Allen Peter L. : Peter L. Allen is a scholar, author, educator, and executive. He is the author of The Wages of Sin: Sex and Disease, Past and Present.Über den Autor.
Verlag: University Of Pennsylvania Press Nov 1992, 1992
ISBN 10: 0812231880ISBN 13: 9780812231885
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch
Buch. Zustand: Neu. Neuware - Two major French medieval literary works that claim to teach their readers the art of love are virtually torn apart by the contradictions and conflicts they contain. In Andreas Capellanus's late twelfth-century Latin De amore, the author instructs his friend Walter in the amatory art in the first two books, but then harshly repudiates his own teachings and love itself in a third and final book. In Jean de Meun's encyclopedic continuation of the Romance of the Rose, written in French in the 1270s, a succession of allegorical figures alternately promote and excoriate the lover's amatory pursuits. Jean's romance, moreover, virtually rewrites the dream vision of Guillaume de Lorris, which it claims simply to extend, and ends with the depiction of a sexual act that seems to throw the book's whole structure into confusion. The more closely one reads this works, Peter L. Allen contents, the harder it is to understand them: 'Didactic, heavy-handed, and problematic, they teach would-be lovers how to behave in order to have others accomplish their desires, yet they also contain vociferous passages that dissuade their protagonists from the practice of this art, which, they claim, leads not only to earthly destruction but also to eternal damnation.' Readers from the Middle Ages to the present have been troubled by the fact that these texts are both radically self-contradictory and fundamentally at odds with the accepted morality of medieval Christian Europe. And for decades, scholars have tried to determine how these two works are related to what is often referred to as 'courtly love.' In The Art of Love, Allen persuasive argues that the De amore and the Romance of the Rose are central to the courtly tradition. Allen contends that their conflicts and contradictions are not signs of confusion or artistic failure, but are instead essential clues which show that the medieval works follow the disruptive structural model of Ovid's first century elegiac Ars amatoria (Art of Love) and Remedia amoris (Cures for Love). Andreas's and Jean's works, no less than Ovid's, teach not the art of love for practicing lovers, but the literary art of love poetry and fiction. Based squarely on Ovid's poems, which were among the most widely read classical texts in medieval Europe, the De amore and the Romance of the Rose use the classical tradition in a particularly assertive fashion--and suggest a way for fantasies of love to exist even against a background of ecclesiastical prohibition.