9780810964945 - possessing the past: treasures from the national palace museum, taipei von guo li gu gong bo wu yuan; fong, wen; watt, james c. y. (10 Ergebnisse)

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Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Sprache: Englisch
Verlag: MOMA and National Palace Museum, distributed by Harry N. Abrams, Taipei, 1996
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Hardcover. Zustand: Very Good+. Near Fine. 3rd printing. Taipei. New York: Metropolitan Museum of Art / National Palace Museum, Taipei, distributed by Harry N. Abrams, New York, (1996). Third Printing (stated). xv,648pp, Index, Bibliography. Brown cloth, spine letters black. Cloth unworn, few light stains/soil to lower edge of t…ext block; dj near fine (short tear upper edge). Contributions by Chang Lin-sheng, James Cahill, Wai-kam Ho, Maxwell K. Hearn, and Richard M Barnhart. With 7 maps and 600 illustrations - 436 in color. Catalogue for the third great exhibition of Chinese masterworks to travel to the West. ISBN 0810964945; 12.25 x 9.75 inches; 648 pages.

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- Hardcover
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Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. 648pp hardback brown cloth black-lettered in wrapper well illustrated in coloour.
Weitere BilderPossessing the Past: Treasures from the National Palace Museum, Taipei
Fong, Wen C.; and Watt, James C.Y.; with contributions by Lin-sheng, Chang; Cahill, James; Ho, Wai-kam; Hearn, Maxwell K.; and Barnhart, Richard M.
Sprache: Englisch
Verlag: The Metropolitan Museum of Art, New York and the National Palace Museum, Taipei, 1996
- Hardcover
- Erstausgabe
Anbieter: Jorge Welsh Books, Lisboa, PortugalJorge Welsh Books
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Hardcover. Zustand: Good. Dust Jacket Included. 1st Edition. English text.; Hardcover (with dust jacket).; 24.5 x 31.5 cm.; 3.6 kg.; 648 pages with colour illustrations.; Used with signs of wear on the exterior and interior. The dust jacket is worn and loose due to wear, shows edge wear, scuffs and scratches, and is slightly wri…nkled at the bottom of the back cover. Minor signs of wear on the interior, with the edges of a few pages showing minor edge wear.; Catalogue from the exhibition Splendors of Imperial China: Treasures from the National Palace Museum, Taipei, held at The Metropolitan Museum of Art, New York, March 19-May 19, 1996; The Art Institute of Chicago, June 29-August 25, 1996; Asian Art Museum of San Francisco, October 14-December 8, 1996; National Gallery of Art, Washington, D.C., January 26-April 6, 1997.; Only two major exhibitions from the fabled Chinese Palace Museum collections have been seen in the West-the first in London in 1935-36 and the second in the United States in 1961-62. These two exhibitions provided an extraordinary stimulus to the study of Chinese culture, revolutionized Asian art studies in the West, and opened the eyes of the public to the artistic traditions of Chinese civilization. Possessing the Past: Treasures from the National Palace Museum, Taipei is the publication that accompanies the third great exhibition of Chinese masterworks to travel to the West. Written by scholars of both Chinese and Western cultural backgrounds and conceived as a cultural history, the book tells the story of Chinese art from its foundations in the Bronze Age and the first empires through the rich diversity of art produced during the Sung. Yuan, Ming, and Ch'ing dynasties, contrasting China's absolutist political structure with the humanism of its artistic and moral philosophy. Synthesizing scholarship of the past three decades, the authors present not only the historical and cultural significance of individual works of art and analyses of their aesthetic content, but a reevaluation of the cultural dynamics of Chinese history, reflecting a fundamental shift in the study of Chinese art from a focus on documentation and connoisseurship to an emphasis on the cultural significance of the visual arts. National treasures passed down from dynasty to dynasty, the works of art that now form the collection of the National Palace Museum, Taipei, originally constituted the personal collection of the Ch'ien-lung emperor, who ruled China from 1736 to 1795. Two centuries after Ch'ien-lung ascended the dragon throne, when the Japanese invaded China in 1937, the nearly 10,000 masterworks of painting and calligraphy and more than 600,000 objects and rare books and documents-which had earlier been moved from Peking to Nanking following the Japanese occupation of Manchuria in 1931 - were packed in crates and evacu ated to caves near the wartime capital, Chungking. It was not until after World War II that the crated treasures were moved to their present home in Taiwan, where today they represent a major portion of China's artistic and cultural legacy. Drawing on this extraordinary collection, the authors explore in depth four interrelated themes: a cyclical view of history, the Confucian discourse on art, the social function of art, and possessing the past. The last theme, from which the volume takes its title, refers both to imperial China's possession of its past through the art of collecting and to the broader cultural tradition of embracing change through the creative reinterpretation of the past. This major scholarly publication will expand our understanding and deepen our appreciation of works of art that over the centuries have emerged from a remarkable and, in the West, still largely unexplored culture.

Sprache: Englisch
Verlag: the Metropolitan Museum of Art, New York; The National Palace Museum, Taipei, New York, 1996
- Hardcover
Anbieter: Independent Books, Long Beach, WA, USAIndependent Books
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EUR 110,45
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Hardcover. Zustand: As New. Zustand des Schutzumschlags: Fine. Companion to the exhibition Splendors of Imperial China: Treasures from the National Palace Museum, Taipei, tells the story of Chinese art from its foundations in the Bronze Age and the first empires to the rich diversity of art produced during the Sung, Yuan, Ming,…and Ch'ing dynasties, contrasting China's absolutist political structure with the humanism of its artistic and moral philosophy. Lavishly illustrated. From the collection of Sanje (Frank) Elliott, Buddhist mentor, artist, and friend to many. Condition notes: [xv], 648 numbered pp; HB w/DJ. Pages: clean, bright, tight, umber eps, large color frontis. Cover: umber cloth, black titles spine; minimal shelfwear. DJ: unclipped in Brodart, black, green tinted artwork front, orange/white titles front/spine; minimal edge/shelfwear, spine somewhat faded. Giftable. Massive, impressive, very heavy.