9780810122932 - oberiu: an anthology of russian absurdism (european classics) (6 Ergebnisse)

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Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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Paperback. Zustand: Brand New. 1st edition. 296 pages. 7.50x5.25x0.75 inches. In Stock.

- Softcover
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Zustand: New. This poetry anthology includes the work of Russian writers Alexander Vedensky, Daniil Kharms, and Nikolai Zabolotsky who, between 1927 and 1930 made up the core of OBERIU (The Union of Real Art), and of Nikolai Oleinikov, Leonid Lipavsky and Yakov Druskin who worked in the same vein. They offer a reflection of the…distorted reality they rejected. Editor(s): Ostashevsky, Eugene. Translator(s): Ostashevsky, Eugene; Yankelevich, Matvei. Series: European Classics. Num Pages: 240 pages. BIC Classification: DQ. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 197 x 130 x 13. Weight in Grams: 299. . 2006. First Edition. paperback. . . . . Books ship from the US and Ireland.

- Softcover
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Zustand: New. This poetry anthology includes the work of Russian writers Alexander Vedensky, Daniil Kharms, and Nikolai Zabolotsky who, between 1927 and 1930 made up the core of OBERIU (The Union of Real Art), and of Nikolai Oleinikov, Leonid Lipavsky and Yakov Druskin w.

- Softcover
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Taschenbuch. Zustand: Neu. Neuware - It was a movement so artfully anarchic, and so quickly suppressed, that readers only began to discover its strange and singular brilliance three decades after it was extinguished-and then only in 'samizdat' and emigre publications. Some called it the last of the Russian avant-garde, and other…s called it the first (and last) instance of Absurdism in Russia; however difficult to classify, it was OBERIU (from an acronym standing for The Union of Real Art), and the pleasures of its poetry and prose are, with this volume, at long last fully open to English-speaking readers. This anthology includes the work of three writers, Alexander Vvedensky, Daniil Kharms, and Nikolai Zabolotsky, who, between 1927 and 1930, made up the core of OBERIU, and of three others, Nikolai Oleinikov, Leonid Lipavsky, and Yakov Druskin, who, although not members of OBERIU, worked in the same vein. Skillfully translated to preserve the weird charm of the originals, these poems and prose pieces display all the hilarity and tragedy, the illogical action and puppetlike violence and eroticism, and the hallucinatory intensity that brought down the wrath of the Soviet censors. Today they offer an uncanny reflection of the distorted reality they reject.