Sprache: Englisch
Verlag: Louisiana State University Press, 2014
ISBN 10: 0807153877 ISBN 13: 9780807153871
Anbieter: Asano Bookshop, Nagoya, AICHI, Japan
Zustand: Brand New.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 58,16
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 186 pages. 8.75x5.50x0.75 inches. In Stock.
Zustand: New. 2014. Hardcover. . . . . . Books ship from the US and Ireland.
EUR 46,32
Anzahl: Mehr als 20 verfügbar
In den WarenkorbGebunden. Zustand: New. From the novels of Toni Morrison to the music of Beyonce Knowles, the cultural prevalence of a transnational black identity, as created by African American women, is more than a product of geographic mobility. Rather, as author Simone C. Drake shows, these .
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - From the novels of Toni Morrison to the music of Beyoncé Knowles, the cultural prevalence of a transnational black identity, as created by African American women, is more than a product of geographic mobility. Rather, as author Simone C. Drake shows, these constructions illuminate our understanding of a chronically marginalized demographic. In Critical Appropriations, Drake contends that these fluid and hetero-geneous characterizations of black females arise from multiple creative outlets - literature, film, and music videos - and reflect African Ameri-can women's evolving concept of home, community, gender, and family.Through a close examination of Toni Morrison's Paradise, Danzy Senna's Caucasia, Gayl Jones's Corregidora, Erna Brodber's Louisiana, and Kasi Lemmons's film Eve's Bayou, as well as Beyoncé Knowles's B-Day album and music-video collaboration with Shakira, ''Beautiful Liar,'' Drake reveals how concepts of hybridity - whether positioned as créolité, Candomblé, négritude, Latinidad, or Brasilidade - are appropriated in each work of art as a way of challenging the homogeneous paradigm of black cultural studies. This redefined notion of identity enables African American women to embrace a more complex, transnational blackness that is not only more liberating but also more pertinent to their experiences. Drawing from this borderless exchange of ideas and a richer concept of self, Critical Appropriations offers a rewarding reconsideration of the creative implications for African American women, mapping new directions in black women's studies.