Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Louisiana State University Prss, Baton Rouge, LA, 1996
ISBN 10: 0807120529 ISBN 13: 9780807120521
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
Erstausgabe
Zustand des Schutzumschlags: dj. First Edition. First edition. Hardcover. 65 pages. Smith's third collection of poetry. A fine copy in a very near fine dust jacket with a crease to the front flap.
Sprache: Englisch
Verlag: Louisiana State University Press, 1996
ISBN 10: 0807120529 ISBN 13: 9780807120521
Anbieter: Southampton Books, Sag Harbor, NY, USA
Paperback. Zustand: Like New. FIRST THUS. First Edition Thus, First Printing. Not price-clipped. Published by Louisiana State University Press, 1996. Octavo. Paperback. Book is like new. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.
Zustand: New. KlappentextWith craggy Celtic metaphysics and perfect linguistic pitch, R. T. Smith evokes the landscape, culture, and history of Ireland and the New World through the eyes and ears of an outsider. Words matter to Smith, and the language.
Buch. Zustand: Neu. Neuware - With craggy Celtic metaphysics and perfect linguistic pitch, R. T. Smith evokes the landscape, culture, and history of Ireland and the New World through the eyes and ears of an outsider. Words matter to Smith, and the language of these poems is knotty and precise, blazing into moments of recognition with the elliptical testimony and spare light of everyday objects:. . . adze and hammer, gate latch, cracked Baleek and a Claddagh brooch.It is this muted voice of perfection, speaking from the simple lines of Shaker furniture, that chills the speaker of ''New Lebanon'' as he reflects upon the religious sect's ''hard bargain / with God, their promise / to be virtue's monsters.''Trespasser arcs with rigorous unity of vision from the secular to the heights of spiritual rapture, until the demarcation between world and spirit finally begins to blur. In a parable of the perfection in disorder, ''Before the Breakup'' juxtaposes the heartbreak of parting against the discovery of a bee embalmed in a jar of bramble jam. And ''Passage to Kilronin,'' a meditation on the drowning of a boy from one of the local trawlers, eloquently voices the notion of cosmic kinship.The collection ends on an eerily pastoral note with the crepuscular, self-composed epitaph of St. Gristle, a holy madman:I will be love's gallows, all sap and marrow, mad lament of shadows and a mouthful of birds dying to sing.Surely, this book suggests, between world and spirit there is, for those who can see, no demarcation at all. Trespasser is a dazzling, passionate collection, certain to delight and move any reader who has an ear for the music of language played by a virtuoso.