Sprache: Englisch
Verlag: Stanford University Press, 2011
ISBN 10: 0804783136 ISBN 13: 9780804783132
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Stanford University Press, 2011
ISBN 10: 0804783136 ISBN 13: 9780804783132
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In den WarenkorbZustand: New. pp. 488.
Sprache: Englisch
Verlag: Stanford University Press, 2011
ISBN 10: 0804783136 ISBN 13: 9780804783132
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Zustand: New. Our Conrad is a literary and cultural history, political in emphasis, of the modern American invention of Joseph Conrad as a "master" literary figure as well as a call to transnationalize the field of American literary and cultural studies. Num Pages: 488 pages, black & white illustrations, figures. BIC Classification: DSK. Category: (G) General (US: Trade). Dimension: 5817 x 3887 x 28. Weight in Grams: 456. . 2012. Illustrated. Paperback. . . . . Books ship from the US and Ireland.
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In den WarenkorbPaperback. Zustand: Brand New. 468 pages. 9.00x6.00x1.00 inches. In Stock.
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In den WarenkorbZustand: New. Our Conrad is a literary and cultural history, political in emphasis, of the modern American invention of Joseph Conrad as a master literary figure as well as a call to transnationalize the field of American literary and cultural studies.Über.
Sprache: Englisch
Verlag: Stanford University Press Dez 2011, 2011
ISBN 10: 0804783136 ISBN 13: 9780804783132
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Our Conrad is about the American reception of Joseph Conrad and its crucial role in the formation of American modernism. Although Conrad did not visit the country until a year before his death, his fiction served as both foil and mirror to America's conception of itself and its place in the world. Peter Mallios reveals the historical and political factors that made Conrad's work valuable to a range of prominent figures-including Fitzgerald, Faulkner, Richard Wright, Woodrow Wilson, and Theodore and Edith Roosevelt-and explores regional differences in Conrad's reception. He proves that foreign-authored writing can be as integral a part of United States culture as that of any native. Arguing that an individual writer's apparent (national, gendered, racial, political) identity is not always a good predictor of the diversity of voices and dialogues to which he gives rise, this exercise in transnational comparativism participates in post-Americanist efforts to render American Studies less insular and parochial.