Isbn: 9780804774765 - how strange the change: language, temporality, and narrative form in peripheral modernisms (stanford studies in jewish history and culture) (5 Ergebnisse)

Sprache: Englisch
Verlag: MK - Stanford University Press, 2011
Serie: Buch 45 von 119 - Stanford Studies in Jewish History and Culture
- Hardcover
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Sprache: Englisch
Verlag: Stanford University Press, 2011
Serie: Buch 45 von 119 - Stanford Studies in Jewish History and Culture
- Hardcover
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Zustand: New. In English.

Sprache: Englisch
Verlag: Stanford University Press, 2011
Serie: Buch 45 von 119 - Stanford Studies in Jewish History and Culture
- Hardcover
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Zustand: New. This is a revolutionary work in the study of Yiddish literature and post-colonial theory, offering a new methodology for comparative research, a new definition of literary modernism, and an unprecedented juxtaposition of Jewish Studies with African literature. Series: Stanford Studies in Jewish History and Culture. Num Pages: 360 pages. BIC Classification: DSB; JFSR1. Category: (P) Professional & Vocational. Dimension: 5817 x 3887 x 25. Weight in Grams: 566. . 2011. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.…

Sprache: Englisch
Verlag: Stanford Univ Pr, 2011
Serie: Buch 45 von 119 - Stanford Studies in Jewish History and Culture
- Hardcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
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Hardcover. Zustand: Brand New. 360 pages. 9.10x6.20x1.10 inches. In Stock.

Sprache: Englisch
Verlag: Stanford University Press Sep 2011, 2011
Serie: Buch 45 von 119 - Stanford Studies in Jewish History and Culture
- Hardcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Buch. Zustand: Neu. Neuware - In this book, Marc Caplan argues that the literatures of ostensibly marginal modern cultures are key to understanding modernism. Caplan undertakes an unprecedented comparison of nineteenth-century Yiddish literature and twentieth-century Anglophone and Francophone African literature and reveals unexpected similarities between them. These literatures were created under imperial regimes that brought with them processes of modernization that were already well advanced elsewhere. Yiddish and African writers reacted to the liberating potential of modernity and the burdens of imperial authority by choosing similar narrative genres, typically reminiscent of early-modern European literatures: the picaresque, the pseudo-autobiography, satire, and the Bildungsroman. Both display analogous anxieties toward language, caught as they were between imperial, 'global' languages and stigmatized native vernaculars, and between traditions of writing and orality. Through comparative readings of narratives by Reb Nakhman of Breslov, Amos Tutuola, Yisroel Aksenfeld, Cheikh Hamidou Kane, Isaac Meyer Dik, Camara Laye, Mendele Moykher-Sforim, Wole Soyinka, Y. Y. Linetski, and Ahmadou Karouma, Caplan demonstrates that these literatures' 'belated' relationship to modernization suggests their potential to anticipate subsequent crises in the modernity and post-modernity of metropolitan cultures. This, in turn, leads him to propose a new theoretical model, peripheral modernism, which incorporates both a new understanding of 'periphery' and 'center' in modernity and a new methodology for comparative literary criticism and theory.…