Sprache: Englisch
Verlag: MK - Stanford University Press, 2012
ISBN 10: 0804772746 ISBN 13: 9780804772747
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In den WarenkorbHRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Stanford University Press, 2012
ISBN 10: 0804772746 ISBN 13: 9780804772747
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In den WarenkorbZustand: New. pp. 336.
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In den WarenkorbGebunden. Zustand: New.
Sprache: Englisch
Verlag: Stanford University Press, 2012
ISBN 10: 0804772746 ISBN 13: 9780804772747
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In den WarenkorbZustand: New. Through three different versions of phenomenological discourse (Derrida, Henry, and Levinas), this book explores the notions of excess and the excess of excess relative to conceptions of the self. Translator(s): Barker, Stephen. Series: Cultural Memory in the Present. Num Pages: 336 pages. BIC Classification: HPCF3. Category: (G) General (US: Trade). Dimension: 5817 x 3887 x 23. Weight in Grams: 544. . 2012. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.
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In den WarenkorbHardcover. Zustand: Brand New. 328 pages. 9.25x6.25x1.00 inches. In Stock.
Sprache: Englisch
Verlag: Stanford University Press Mai 2012, 2012
ISBN 10: 0804772746 ISBN 13: 9780804772747
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - In exploring the nature of excess relative to a phenomenology of the limit, Testing the Limit claims that phenomenology itself is an exploration of excess. What does it mean that 'the self' is 'given' Should we see it as originary; or rather, in what way is the self engendered from textual practices that transgress-or hover around and therefore within-the threshold of phenomenologial discourse This is the first book to include Michel Henry in a triangulation with Derrida and Levinas and the first to critique Levinas on the basis of his interpolation of philosophy and religion. Sebbah claims that the textual origins of phenomenology determine, in their temporal rhythms, the nature of the subjectivation on which they focus. He situates these considerations within the broader picture of the state of contemporary French phenomenology (chiefly the legacy of Merleau-Ponty), in order to show that these three thinkers share a certain 'family resemblance,' the identification of which reveals something about the traces of other phenomenological families. It is by testing the limit within the context of traditional phenomenological concerns about the appearance of subjectivity and ipseity that Derrida, Henry, and Levinas radically reconsider phenomenology and that French phenomenology assumes its present form.