Isbn: 9780804761383 - releasing the image: from literature to new media (11 Ergebnisse)

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fine. Crisp, bright, clean; no owners' marks; as new.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780804761383.

Zustand: New. pp. 304.

Zustand: New. In English.

Paperback. Zustand: Brand New. 304 pages. 8.98x5.98x0.71 inches. In Stock.

Zustand: New. From painting to poetry to new media technologies, this book theorizes "the image" beyond the logic of representationalism and provokes new ways of engaging topics of embodiment, agency, history, and technology. Editor(s): Khalip, Jacques; Mitchell, Robert; Agamben, Giorgio; Casarino, Cesare; Geimer, Peter; Hansen, Mark. Num Pages: 304 pages, black & white illustrations, figures. BIC Classification: HP. Category: (P) Professional & Vocational. Dimension: 5817 x 3887 x 18. Weight in Grams: 431. . 2011. 1st Edition. Paperback. . . . . Books ship from the US and Ireland. …

Kartoniert / Broschiert. Zustand: New. From painting to poetry to new media technologies, this book theorizes the image beyond the logic of representationalism and provokes new ways of engaging topics of embodiment, agency, history, and technology.&Uumlber den AutorrnrnJacques.

Taschenbuch. Zustand: Neu. Neuware - It has become a commonplace that 'images' were central to the twentieth century and that their role will be even more powerful in the twenty-first. But what is an image and what can an image be Releasing the Image understands images as something beyond mere representations of things. Releasing images from that function, it shows them to be self-referential and self-generative, and in this way capable of producing forms of engagement beyond spectatorship and subjectivity. This understanding of images owes much to phenomenology-the work of Husserl, Heidegger, and Merleau-Ponty-and to Gilles Deleuze's post-phenomenological work. The essays included here cover historical periods from the Romantic era to the present and address a range of topics, from Cézanne's painting, to images in poetry, to contemporary audiovisual art. They reveal the aesthetic, ethical, and political stakes of the project of releasing images and provoke new ways of engaging with embodiment, agency, history, and technology.…