Sprache: Englisch
Verlag: Stanford University Press, 2008
ISBN 10: 0804759855 ISBN 13: 9780804759854
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Stanford University Press, 2008
ISBN 10: 0804759855 ISBN 13: 9780804759854
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
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In den WarenkorbZustand: New. pp. 336.
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In den WarenkorbPaperback. Zustand: Brand New. 305 pages. 8.75x5.75x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Stanford University Press, 2008
ISBN 10: 0804759855 ISBN 13: 9780804759854
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. The Image of Law is the first book to examine law through the work of Gilles Deleuze, activating his thought within problems of jurisprudence and developing a concept of judgment that acknowledges its inherently creative capacity. Series: Cultural Memory in the Present. Num Pages: 336 pages, 2 figures. BIC Classification: HPS; LAB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5817 x 3887 x 20. Weight in Grams: 454. . 2008. Paperback. . . . . Books ship from the US and Ireland.
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In den WarenkorbKartoniert / Broschiert. Zustand: New. The Image of Law is the first book to examine law through the work of Gilles Deleuze, activating his thought within problems of jurisprudence and developing a concept of judgment that acknowledges its inherently creative capacity.Über den Autor.
Sprache: Englisch
Verlag: Stanford University Press Aug 2008, 2008
ISBN 10: 0804759855 ISBN 13: 9780804759854
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - The Image of Law is the first book to examine law through the thought of twentieth-century French philosopher Gilles Deleuze. Lefebvre challenges the truism that judges must apply and not create law. In a plain and lucid style, he activates Deleuze's key themes-his critique of dogmatic thought, theory of time, and concept of the encounter-within the context of adjudication in order to claim that judgment has an inherent, and not an accidental or willful, creativity. The book begins with a critique of the neo-Kantian tradition in legal theory (Hart, Dworkin, and Habermas) and proceeds to draw on Bergson's theory of perception and memory and Spinoza's conception of ethics in order to frame creativity as a necessary feature of judgment.