9780804754309 - the material image: art and the real in film (cultural memory in the present) von peucker, brigitte (3 Ergebnisse)

Sprache: Englisch
Verlag: STANFORD UNIV PR, 2006
- Hardcover
Anbieter: moluna, Greven, Deutschlandmoluna
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 133,32
EUR 48,99 VersandVersand von Deutschland nach USAAnzahl: Mehr als 20 verfügbar
Zustand: New. Focusing on intermediality, The Material Image situates film within questions of representation familiar from painting and theatrical practices.Über den AutorBrigitte Peucker is Elias Leavenworth Professor of German and Professo.

Sprache: Englisch
Verlag: Stanford Univ Pr, 2006
- Hardcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 174,78
EUR 11,69 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 2 verfügbar
Hardcover. Zustand: Brand New. 1st edition. 251 pages. 9.00x6.25x1.00 inches. In Stock.

Sprache: Englisch
Verlag: Stanford University Press Nov 2006, 2006
- Hardcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 182,00
EUR 62,43 VersandVersand von Deutschland nach USAAnzahl: 2 verfügbar
Buch. Zustand: Neu. Neuware - Focusing on intermediality, The Material Image situates film within questions of representation familiar from the other arts: What is meant by figuring the real How is the real suggested by visual metaphors, and what is its relation to illusion How is the spectator figured as entering the text, and…how does the image enter our world The film's spectator is integral to these concerns. Cognitive and phenomenological approaches to perception alike claim that spectatorial affect is 'real' even when it is film that produces it. Central to the staging of intermediality in film, tableaux moments in film also figure prominently in the book. Films by Scorsese, Greenaway, Wenders, and Kubrick are seen to address painterly, photographic, and digital images in relation to effects of the real. Hitchcock's films are examined with regard to modernist and realist effects in painting. Chapters on Fassbinder and Haneke analyze the significance of tableau for the body in pain, while a final chapter on horror film explores the literalism of psychopathic tableau. Here, too, art and the body-images and the real-are juxtaposed and entwined in a set of relations.