Sprache: Englisch
Verlag: Stanford University Press, 2002
ISBN 10: 0804742022 ISBN 13: 9780804742023
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Stanford University Press, 2002
ISBN 10: 0804742022 ISBN 13: 9780804742023
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 34,23
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Stanford University Press, 2002
ISBN 10: 0804742022 ISBN 13: 9780804742023
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In den WarenkorbZustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
Sprache: Englisch
Verlag: Stanford University Press, 2002
ISBN 10: 0804742022 ISBN 13: 9780804742023
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 45,55
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In den WarenkorbZustand: New. pp. 376.
Sprache: Englisch
Verlag: Stanford University Press, 2002
ISBN 10: 0804742022 ISBN 13: 9780804742023
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 2002. Paperback. . . . . . Books ship from the US and Ireland.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
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In den WarenkorbPaperback. Zustand: Brand New. 1st edition. 358 pages. 9.00x6.00x0.75 inches. In Stock.
Anbieter: moluna, Greven, Deutschland
EUR 38,85
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In den WarenkorbZustand: New. Focusing on two late-Ming or early-Qing plays central to the Chinese canon (Peony Pavilion and Peach Blossom Fan), this study explores crucial questions concerning personal identity.Über den AutorrnrnTina Lu is Assistant Professor of Ch.
Sprache: Englisch
Verlag: Stanford University Press Jul 2002, 2002
ISBN 10: 0804742022 ISBN 13: 9780804742023
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Focusing on two late-Ming or early-Qing plays central to the Chinese canon, this thought-provoking study explores crucial questions concerning personal identity. How is a person, as opposed to a ghost or animal, to be defined How can any specific person (as distinguished, for example, from an impostor or twin) be identified Both plays are chuanqi, representatives of a monumental genre that represents Chinese dramatic literature at its most complex: Tang Xianzu's Peony Pavilion is a romantic comedy in 55 acts, and Kong Shangren's Peach Blossom Fan narrates the fall of the Ming Dynasty in 40 acts. No reader of Chinese literature would find a sexual encounter between a young man and a female ghost surprising. In Peony Pavilion, however, the lovers actually marry and join human society-a possibility that invites speculation on the nature of personhood and agency. By contrast, Peach Blossom Fan addresses the question of identity in an explicitly political fashion. After the fall of Beijing, many men put forward imperial claims. Who, in a time of turmoil, is truly the Emperor In a Confucian society, where hierarchy and identity are so interdependent, how does the lack of certainty about the Emperor's identity affect all human identities The question of personal identity is intrinsically bound up with questions of agency, legal responsibility, and participation within a polity. Confucian patriarchy, in particular, implies an anxiety of identity: in order to serve one's father appropriately, one must first know who he is. Drawing on related contemporary sources, the author combines a range of perspectives, including literary criticism, philosophy, jurisprudence, and art history.